1 00:00:02,667 --> 00:00:03,300 PREVIOUSLY ON 2 00:00:03,300 --> 00:00:04,133 LOVE AND HIP-HOP: ATLANTA... 3 00:00:04,133 --> 00:00:05,300 YOU LEFT HIM FOR DEAD. 4 00:00:05,300 --> 00:00:07,533 YOU LEFT HIM FOR DEAD! 5 00:00:07,533 --> 00:00:09,033 YOU LEFT MY CHILD FOR DEAD. 6 00:00:09,033 --> 00:00:10,500 I WAS ALREADY LOOKING FOR HER 7 00:00:10,500 --> 00:00:11,633 TO SHOW ME MORE, 8 00:00:11,633 --> 00:00:12,733 AND THAT'S SHOWING YOU. 9 00:00:12,733 --> 00:00:13,467 IT'S WILD OUT MAGIC. 10 00:00:13,467 --> 00:00:14,133 IT'S DONE. 11 00:00:14,133 --> 00:00:14,867 I'M NOT GONNA START 12 00:00:14,867 --> 00:00:16,100 BABYSITTING SCRAPPY 13 00:00:16,100 --> 00:00:16,967 BECAUSE HE GOT WASTED 14 00:00:16,967 --> 00:00:18,067 THE NIGHT BEFORE. 15 00:00:18,067 --> 00:00:19,133 AND ACTION. 16 00:00:19,133 --> 00:00:20,533 WHERE ARE YOU? 17 00:00:20,533 --> 00:00:21,500 BUSINESS PUTS A LOT 18 00:00:21,500 --> 00:00:22,933 OF PRESSURE AND A LOT OF STRESS 19 00:00:22,933 --> 00:00:24,400 ON KIRK AND I'S RELATIONSHIP. 20 00:00:24,400 --> 00:00:25,200 I'M HERE 21 00:00:25,200 --> 00:00:26,767 BUT I'M REALLY NOT HERE, 22 00:00:26,767 --> 00:00:28,467 AND ME AND YOU AIN'T HERE. 23 00:00:28,467 --> 00:00:30,033 YOU'RE LOOKING GOOD, MAMI. 24 00:00:30,033 --> 00:00:30,767 I'M ROCKING WITH YOU 25 00:00:30,767 --> 00:00:31,833 TILL THE WHEELS FALL OFF. 26 00:00:31,833 --> 00:00:32,500 IT'S ME AND YOU. 27 00:00:32,500 --> 00:00:33,500 YOU ROCKING WITH ME? 28 00:00:33,500 --> 00:00:35,033 I AM. 29 00:00:35,033 --> 00:00:36,700 [horn honking] 30 00:00:36,700 --> 00:00:37,867 CAN'T NOBODY TELL ME [bleep] 31 00:00:37,867 --> 00:00:39,733 ABOUT YOU, ESPECIALLY NO BITCH 32 00:00:39,733 --> 00:00:40,400 THAT'S ONLY KNOWN YOU 33 00:00:40,400 --> 00:00:41,767 FOR A COUPLE OF MONTHS. 34 00:00:41,767 --> 00:00:42,567 AND YOU TELL THAT [bleep] 35 00:00:42,567 --> 00:00:43,800 IF SHE THREATEN ME AGAIN, 36 00:00:43,800 --> 00:00:45,700 WE GONNA HAVE PROBLEMS. 37 00:00:45,700 --> 00:00:46,367 YOU'RE RIGHT. 38 00:00:46,367 --> 00:00:48,100 IF JOSELINE FEELS COMFORTABLE 39 00:00:48,100 --> 00:00:50,400 ENOUGH TO THREATEN ME OVER TEXT, 40 00:00:50,400 --> 00:00:51,800 IT'S OBVIOUS THEY'RE STILL 41 00:00:51,800 --> 00:00:52,500 [bleep]. 42 00:00:52,500 --> 00:00:55,500 I AM OVER KARLIE. 43 00:00:55,500 --> 00:00:56,300 BRING IT DOWN 44 00:00:56,300 --> 00:00:57,800 'CAUSE MY HEAD'LL START SPINNING 45 00:00:57,800 --> 00:00:58,500 AND I'LL CHOP YOU IN YOUR 46 00:00:58,500 --> 00:00:59,567 TRA-CU-LA. 47 00:00:59,567 --> 00:01:01,167 TRY IT; TRY IT. 48 00:01:01,167 --> 00:01:02,833 DON'T SHAKE 49 00:01:02,833 --> 00:01:04,933 UNLESS YOU READY TO GET SHOOK. 50 00:01:04,933 --> 00:01:05,933 [hip-hop music] 51 00:01:05,933 --> 00:01:06,800 ♪ 52 00:01:06,800 --> 00:01:08,133 * THIS IS THE LIFE 53 00:01:08,133 --> 00:01:09,067 ♪ THIS IS THE LIFE 54 00:01:09,067 --> 00:01:09,700 * YEAH 55 00:01:09,700 --> 00:01:10,433 * THIS THE LIFE 56 00:01:10,433 --> 00:01:11,333 ♪ THIS IS THE LIFE 57 00:01:11,333 --> 00:01:12,067 * 'SUP ♪ 58 00:01:12,067 --> 00:01:12,867 * THIS THE LIFE 59 00:01:12,867 --> 00:01:13,900 ♪ THIS IS THE LIFE 60 00:01:13,900 --> 00:01:14,567 * HUH 61 00:01:14,567 --> 00:01:15,233 * THIS THE LIFE 62 00:01:15,233 --> 00:01:16,167 ♪ THIS IS THE LIFE 63 00:01:16,167 --> 00:01:17,133 ♪ THIS THE LIFE 64 00:01:17,133 --> 00:01:18,233 ♪ THIS IS THE LIFE 65 00:01:18,233 --> 00:01:18,900 * HUH 66 00:01:18,900 --> 00:01:19,733 ♪ NOW, THERE AIN'T NOTHING ♪ 67 00:01:19,733 --> 00:01:21,133 ♪ LIKE HIP-HOP MUSIC 68 00:01:21,133 --> 00:01:22,433 ♪ MUSIC 69 00:01:22,433 --> 00:01:23,433 * THIS IS THE LIFE 70 00:01:23,433 --> 00:01:27,767 ♪ THIS IS THE LIFE 71 00:01:33,133 --> 00:01:35,067 THE CAMERA LOVES YOU. 72 00:01:35,067 --> 00:01:36,367 DO A LITTLE BIT OF THIS 73 00:01:36,367 --> 00:01:38,233 AND A LITTLE BIT OF THIS. 74 00:01:38,233 --> 00:01:39,467 YES. 75 00:01:39,467 --> 00:01:41,300 PLAY WITH YOUR HAIR. 76 00:01:41,300 --> 00:01:42,833 YES, BABY, GIVE IT TO ME. 77 00:01:42,833 --> 00:01:43,800 YES. 78 00:01:43,800 --> 00:01:47,067 NOW TILT. 79 00:01:47,067 --> 00:01:47,767 YES. 80 00:01:47,767 --> 00:01:48,900 DROP YOUR NECK A LITTLE. 81 00:01:48,900 --> 00:01:50,100 THERE YOU GO. 82 00:01:50,100 --> 00:01:52,700 GIVE IT TO ME, BABY. 83 00:01:52,700 --> 00:01:55,367 WHAT'S GOOD, MA? 84 00:01:55,367 --> 00:01:56,067 WHAT'S UP, BABE? 85 00:01:56,067 --> 00:01:57,333 HEY, MAN, HOW ARE YOU? 86 00:01:57,333 --> 00:01:58,667 WHAT'S GOING ON? 87 00:01:58,667 --> 00:02:00,133 LOOKING AT YOUR OUTFIT. 88 00:02:00,133 --> 00:02:01,233 ADMIRING YOUR OUTFIT. 89 00:02:01,233 --> 00:02:03,267 WHAT IS THIS? 90 00:02:03,267 --> 00:02:04,300 IT'S A TROPICAL OUTFIT. 91 00:02:04,300 --> 00:02:05,833 WHAT DO YOU MEAN, "WHAT IS IT?" 92 00:02:05,833 --> 00:02:07,133 I DON'T WANT TO WASTE NO TIME 93 00:02:07,133 --> 00:02:07,867 YOU KNOW WHAT I'M SAYING 94 00:02:07,867 --> 00:02:08,667 PLAYING NO GAMES 95 00:02:08,667 --> 00:02:10,500 WHEN I KNOW HOW YOU SHOULD LOOK. 96 00:02:10,500 --> 00:02:11,167 I'M JUST SAYING, 97 00:02:11,167 --> 00:02:13,300 HIGH FASHION FLY. 98 00:02:13,300 --> 00:02:14,067 I DON'T KNOW-- 99 00:02:14,067 --> 00:02:15,133 I NEED A MINUTE, THOUGH. 100 00:02:15,133 --> 00:02:16,733 YOU NEED A MINUTE FOR WHAT? 101 00:02:16,733 --> 00:02:17,767 WE CAN'T HAVE THIS CONVERSATION 102 00:02:17,767 --> 00:02:18,433 LATER ON? 103 00:02:18,433 --> 00:02:19,333 'CAUSE IF YOU HAD A PROBLEM 104 00:02:19,333 --> 00:02:20,233 WITH IT, YOU SHOULD'VE SAID THAT 105 00:02:20,233 --> 00:02:21,267 WITH QUEEN WHEN YOU HAD 106 00:02:21,267 --> 00:02:21,933 THE CHANCE. 107 00:02:21,933 --> 00:02:23,600 CHILL, RELAX. 108 00:02:23,600 --> 00:02:24,933 DID HE NOT TELL YOU-- 109 00:02:24,933 --> 00:02:26,800 LISTEN, THIS IS MY BRAND. 110 00:02:26,800 --> 00:02:27,533 I'M TRYING TO BUILD YOU 111 00:02:27,533 --> 00:02:28,333 AS A BRAND TOO. 112 00:02:28,333 --> 00:02:29,067 YOU KNOW WHAT I'M SAYING. 113 00:02:29,067 --> 00:02:30,333 AT THE END OF THE DAY, 114 00:02:30,333 --> 00:02:31,800 THIS AIN'T--THIS AIN'T WHAT'S 115 00:02:31,800 --> 00:02:32,667 GONNA SELL IT. 116 00:02:32,667 --> 00:02:34,067 THAT'S ALL I'M SAYING. 117 00:02:34,067 --> 00:02:34,933 STEVIE, REALLY I BELIEVE 118 00:02:34,933 --> 00:02:35,900 THAT HE'S JEALOUS OF ME 119 00:02:35,900 --> 00:02:36,567 IN A WAY. 120 00:02:36,567 --> 00:02:37,767 THIS IS WHY YOU ALWAYS END UP 121 00:02:37,767 --> 00:02:38,567 BACK WITH MIMI 'CAUSE SHE'S 122 00:02:38,567 --> 00:02:39,700 SO INSECURE WITH HERSELF. 123 00:02:39,700 --> 00:02:40,900 YOU TWO ARE TWO INSECURE 124 00:02:40,900 --> 00:02:42,233 CRAZY PEOPLE THAT JUST 125 00:02:42,233 --> 00:02:43,133 NEED TO BE TOGETHER. 126 00:02:43,133 --> 00:02:43,933 I NEED TO TALK TO YOU 127 00:02:43,933 --> 00:02:44,967 ABOUT SOMETHING, THOUGH. 128 00:02:44,967 --> 00:02:46,667 WHAT'S UP? 129 00:02:46,667 --> 00:02:47,467 YOU TEXT MY BABY MAMA? 130 00:02:47,467 --> 00:02:48,200 YOU DAMN [bleep] RIGHT. 131 00:02:48,200 --> 00:02:49,667 I DON'T LIKE THE BITCH 132 00:02:49,667 --> 00:02:50,933 AND I'D TEXT HER AGAIN. 133 00:02:50,933 --> 00:02:51,800 WOW, THAT'S HOW YOU FEEL? 134 00:02:51,800 --> 00:02:52,567 THAT'S HOW I'M FEELING, 135 00:02:52,567 --> 00:02:53,233 AND THAT'S HOW 136 00:02:53,233 --> 00:02:53,967 I'M GONNA ALWAYS FEEL. 137 00:02:53,967 --> 00:02:54,767 ALL RIGHT, WELL, I'M GONNA 138 00:02:54,767 --> 00:02:55,433 TELL YOU SOMETHING. 139 00:02:55,433 --> 00:02:56,100 SO WHAT'S UP? 140 00:02:56,100 --> 00:02:56,867 I'MA TELL YOU SOMETHING. 141 00:02:56,867 --> 00:02:57,633 DON'T EVER CALL THAT BITCH, 142 00:02:57,633 --> 00:02:58,300 AND STAY IN YOUR PLACE. 143 00:02:58,300 --> 00:02:58,967 SHE'S THE BITCH. 144 00:02:58,967 --> 00:02:59,633 STAY IN YOUR PLACE. 145 00:02:59,633 --> 00:03:00,367 SHE'S A BITCH. 146 00:03:00,367 --> 00:03:01,067 SO WHAT ARE YOU? 147 00:03:01,067 --> 00:03:01,700 SHE'S A BITCH. 148 00:03:01,700 --> 00:03:02,367 I'M A BITCH TOO. 149 00:03:02,367 --> 00:03:03,067 ALL RIGHT. 150 00:03:03,067 --> 00:03:03,867 I AIN'T TRIPPIN' ABOUT ME 151 00:03:03,867 --> 00:03:04,533 BEING A BITCH, THOUGH. 152 00:03:04,533 --> 00:03:05,800 DON'T DISRESPECT MY FAMILY. 153 00:03:05,800 --> 00:03:06,600 [bleep] HER. 154 00:03:06,600 --> 00:03:07,367 YOU KNOW WHAT I'M SAYING. 155 00:03:07,367 --> 00:03:09,333 [bleep] HER. 156 00:03:09,333 --> 00:03:10,133 I WOULDN'T-- 157 00:03:10,133 --> 00:03:12,467 [bleep] HER. 158 00:03:12,467 --> 00:03:13,800 I'M SUPPOSED TO BE WITH STEVIE. 159 00:03:13,800 --> 00:03:14,500 WE'RE SUPPOSED TO BE 160 00:03:14,500 --> 00:03:15,400 IN A RELATIONSHIP. 161 00:03:15,400 --> 00:03:17,567 AND EVERY TIME HE'S WITH ME, 162 00:03:17,567 --> 00:03:19,233 SHE'LL CALL HIM AND, 163 00:03:19,233 --> 00:03:20,567 "JOSELINE, AND [bleep] 164 00:03:20,567 --> 00:03:21,867 THAT BITCH" AND THIS AND THAT. 165 00:03:21,867 --> 00:03:22,800 SO I TEXTED LIKE, 166 00:03:22,800 --> 00:03:23,767 "BITCH, FOR REAL? 167 00:03:23,767 --> 00:03:24,833 SAY MY NAME ONE MORE TIME 168 00:03:24,833 --> 00:03:25,733 AND THAT'S GONNA BE YOUR ASS." 169 00:03:25,733 --> 00:03:26,967 THAT'S WHAT REALLY WENT ON. 170 00:03:26,967 --> 00:03:28,567 IF YOU SO WORRIED ABOUT MIMI, 171 00:03:28,567 --> 00:03:29,667 GO BE WITH MIMI. 172 00:03:29,667 --> 00:03:31,133 WHY YOU OVER HERE? 173 00:03:31,133 --> 00:03:31,967 'CAUSE SHE HAS MY DAUGHTER. 174 00:03:31,967 --> 00:03:32,633 WHY ARE YOU HERE? 175 00:03:32,633 --> 00:03:33,500 THAT SHOULD BE RESPECTABLE. 176 00:03:33,500 --> 00:03:35,067 DON'T THREATEN MY FAMILY. 177 00:03:35,067 --> 00:03:35,733 JOSELINE, IF YOU THINK 178 00:03:35,733 --> 00:03:36,467 YOU CAN DO THAT AND GET AWAY 179 00:03:36,467 --> 00:03:38,667 WITH IT, YOU'RE SADLY MISTAKEN. 180 00:03:38,667 --> 00:03:39,600 WHY ARE YOU HERE? 181 00:03:39,600 --> 00:03:40,267 BECAUSE I'M SAVING 182 00:03:40,267 --> 00:03:40,933 YOUR CAREER. 183 00:03:40,933 --> 00:03:41,633 WHY ARE YOU HERE? 184 00:03:41,633 --> 00:03:42,367 I'M SAVING YOUR CAREER. 185 00:03:42,367 --> 00:03:43,600 HOW ARE YOU SAVING MY CAREER? 186 00:03:43,600 --> 00:03:44,400 YOU WANT TO SUICIDE? 187 00:03:44,400 --> 00:03:45,167 HOW YOU SAVING MY CAREER? 188 00:03:45,167 --> 00:03:45,833 YOU GONNA HAVE 189 00:03:45,833 --> 00:03:46,500 A CAREER SUICIDE. 190 00:03:46,500 --> 00:03:47,167 OKAY, GOOD-BYE. 191 00:03:47,167 --> 00:03:47,833 ALL RIGHT, GOOD-BYE. 192 00:03:47,833 --> 00:03:49,200 BYE-BYE. 193 00:03:49,200 --> 00:03:50,533 DAVE, YOU WANT TO CARRY ON 194 00:03:50,533 --> 00:03:51,200 YOU CAN. 195 00:03:51,200 --> 00:03:52,067 I WOULDN'T EVEN TAKE PICTURES 196 00:03:52,067 --> 00:03:52,700 IF I WAS YOU, YOU KNOW 197 00:03:52,700 --> 00:03:53,367 WHAT I'M SAYING? 198 00:03:53,367 --> 00:03:54,067 BYE. 199 00:03:54,067 --> 00:03:54,867 IT'S NOT A GOOD LOOK FOR YOU. 200 00:03:54,867 --> 00:03:55,567 YOU HAVIN' A NICE DAY. 201 00:03:55,567 --> 00:03:56,233 SEE YOU LATER. 202 00:03:56,233 --> 00:03:58,767 GO BE WITH MIMI, GOOD-BYE. 203 00:03:58,767 --> 00:04:00,133 JUST DO YOUR THING, BABY. 204 00:04:00,133 --> 00:04:01,633 SOME PEOPLE JUST DON'T KNOW 205 00:04:01,633 --> 00:04:02,367 GOOD THING UNTIL THE WORLD 206 00:04:02,367 --> 00:04:03,067 SEE IT. 207 00:04:03,067 --> 00:04:03,867 AND HE JUST DON'T GET IT. 208 00:04:03,867 --> 00:04:05,067 JUST... 209 00:04:05,067 --> 00:04:06,267 STRIKE SOME POSES. 210 00:04:06,267 --> 00:04:07,833 GIVE IT TO ME, BABY. 211 00:04:07,833 --> 00:04:09,833 THIS IS FASHION. 212 00:04:15,067 --> 00:04:15,700 HI. 213 00:04:15,700 --> 00:04:18,133 OH, HEY. 214 00:04:18,133 --> 00:04:20,933 HOW YOU DOING, PRETTY GIRL? 215 00:04:20,933 --> 00:04:22,333 I HEARD FROM SCRAPPY, 216 00:04:22,333 --> 00:04:24,133 AND HE'S EXCITED 217 00:04:24,133 --> 00:04:26,067 THAT HE'S SEEING SHAY RIGHT NOW. 218 00:04:26,067 --> 00:04:27,167 I THOUGHT I'D JUST INVITE HER 219 00:04:27,167 --> 00:04:29,367 OUT FOR LUNCH FACE-TO-FACE 220 00:04:29,367 --> 00:04:30,667 A LITTLE GIRL TALK-- 221 00:04:30,667 --> 00:04:32,533 A LITTLE MOMMA TIME. 222 00:04:32,533 --> 00:04:33,833 SO WHAT'S BEEN UP, MOMMA DEE? 223 00:04:33,833 --> 00:04:34,633 NO, I KNOW Y'ALL BEEN 224 00:04:34,633 --> 00:04:35,667 SPENDING A LOT OF TIME TOGETHER 225 00:04:35,667 --> 00:04:36,333 LATELY. 226 00:04:36,333 --> 00:04:37,067 YEAH. 227 00:04:37,067 --> 00:04:38,233 SO YOU KNOW MOMMA WANT 228 00:04:38,233 --> 00:04:39,133 HER TIME TOO. 229 00:04:39,133 --> 00:04:40,600 I'M JEALOUS. 230 00:04:40,600 --> 00:04:41,367 DON'T BE. 231 00:04:41,367 --> 00:04:42,333 I'M SO JEALOUS. 232 00:04:42,333 --> 00:04:43,467 DON'T BE. 233 00:04:43,467 --> 00:04:45,267 I KNOW THAT MOMMA DEE IS 234 00:04:45,267 --> 00:04:46,467 VERY, VERY EXTREMELY 235 00:04:46,467 --> 00:04:48,300 OVERPROTECTIVE ABOUT HER SON. 236 00:04:48,300 --> 00:04:49,567 SO IF I DON'T GET IN GOOD 237 00:04:49,567 --> 00:04:50,633 WITH MOMMA DEE, 238 00:04:50,633 --> 00:04:52,667 I'M NOT IN GOOD WITH SCRAPPY. 239 00:04:52,667 --> 00:04:54,067 WE HAVE A RELATIONSHIP THAT'S 240 00:04:54,067 --> 00:04:55,833 A LITTLE BEYOND FRIENDSHIP. 241 00:04:55,833 --> 00:04:56,800 SO Y'ALL CLEARLY HAVE 242 00:04:56,800 --> 00:04:57,467 STEPPED UP. 243 00:04:57,467 --> 00:04:58,267 BUT, BUT, BUT, BUT 244 00:04:58,267 --> 00:04:59,067 THERE'S NO TITLE. 245 00:04:59,067 --> 00:05:00,533 I'M NOT TRYING TO RUSH. 246 00:05:00,533 --> 00:05:01,433 WE HAVE A MUTUAL UNDERSTANDING. 247 00:05:01,433 --> 00:05:02,900 WE COMMUNICATE VERY WELL. 248 00:05:02,900 --> 00:05:03,567 YOU KNOW WHAT I MEAN? 249 00:05:03,567 --> 00:05:04,533 SO I KNOW WHAT HE WANTS. 250 00:05:04,533 --> 00:05:05,733 HE KNOWS WHAT I WANT. 251 00:05:05,733 --> 00:05:07,267 AND BECAUSE THE SITUATION 252 00:05:07,267 --> 00:05:08,167 WAS SO SENSITIVE, 253 00:05:08,167 --> 00:05:09,233 I AM NOT TRYING TO RUSH THAT 254 00:05:09,233 --> 00:05:09,933 BECAUSE I DON'T WANT 255 00:05:09,933 --> 00:05:11,567 TO GET HURT, BUT I'M SO-- 256 00:05:11,567 --> 00:05:12,267 BECAUSE YOU KNOW 257 00:05:12,267 --> 00:05:13,200 HIM AND ERICA-- 258 00:05:13,200 --> 00:05:15,400 THEY'RE NOT REALLY AT THE PLACE 259 00:05:15,400 --> 00:05:16,667 WHERE THEY WERE, AND SHE'S 260 00:05:16,667 --> 00:05:18,367 CLEARLY UNCARING. 261 00:05:18,367 --> 00:05:19,933 I MEAN, THERE WAS AN INCIDENT 262 00:05:19,933 --> 00:05:21,833 THAT HE GOT SICK AND HAD 263 00:05:21,833 --> 00:05:22,733 A REAL BAD ASTHMA ATTACK. 264 00:05:22,733 --> 00:05:23,700 HE CALLED ME. 265 00:05:23,700 --> 00:05:25,133 YEAH, AND THE BITCH JUST 266 00:05:25,133 --> 00:05:26,533 LEFT MY SON FOR DEAD. 267 00:05:26,533 --> 00:05:28,633 HOW DO YOU LOVE A MAN 268 00:05:28,633 --> 00:05:30,067 AND LEAVE HIM FOR DEAD? 269 00:05:30,067 --> 00:05:31,133 HER ANSWER WAS, 270 00:05:31,133 --> 00:05:32,300 "WELL, HE DIDN'T DIE." 271 00:05:32,300 --> 00:05:33,700 IF I LOVED A MAN, 272 00:05:33,700 --> 00:05:35,067 DO YOU REALLY THINK I WOULD JUST 273 00:05:35,067 --> 00:05:36,067 WALK OFF AND HE CAN'T BREATHE? 274 00:05:36,067 --> 00:05:37,200 HE TURNING BLUE? 275 00:05:37,200 --> 00:05:38,667 HOW DID ERICA GET OVER THERE 276 00:05:38,667 --> 00:05:39,967 TO EVEN BE IN THE POSITION 277 00:05:39,967 --> 00:05:41,267 TO TAKE HIM TO THE HOSPITAL? 278 00:05:41,267 --> 00:05:42,400 I DON'T KNOW. 279 00:05:42,400 --> 00:05:43,633 ALL I KNOW IS ABOUT 6:00 280 00:05:43,633 --> 00:05:45,500 SOMETHING A.M., SHE CALLED. 281 00:05:45,500 --> 00:05:46,167 I DON'T KNOW. 282 00:05:46,167 --> 00:05:46,833 ALL I KNOW-- 283 00:05:46,833 --> 00:05:47,767 SO SHE WAS DROPPING THE BABY 284 00:05:47,767 --> 00:05:49,067 OFF OR SHE WAS ALREADY THERE? 285 00:05:49,067 --> 00:05:51,300 I DON'T KNOW. 286 00:05:51,300 --> 00:05:52,567 SCRAPPY RIGHT NOW IS 287 00:05:52,567 --> 00:05:53,900 TELLING ME THAT THE RELATIONSHIP 288 00:05:53,900 --> 00:05:55,467 BETWEEN HE AND ERICA 289 00:05:55,467 --> 00:05:56,667 IS NONEXISTENT. 290 00:05:56,667 --> 00:05:58,133 ANYTHING BEYOND THAT POINT 291 00:05:58,133 --> 00:05:59,333 IS GONNA BE A DEFINITELY 292 00:05:59,333 --> 00:06:00,933 MOTHER[bleep] PROBLEM. 293 00:06:00,933 --> 00:06:01,800 YOU THINK SHE'LL HAVE A PROBLEM 294 00:06:01,800 --> 00:06:02,467 WITH ME? 295 00:06:02,467 --> 00:06:04,300 SHE WANTS HIM HAPPY CLEARLY. 296 00:06:04,300 --> 00:06:06,300 BUT IF IT AIN'T WITH HER, 297 00:06:06,300 --> 00:06:08,233 UH-UH, HELL NO. 298 00:06:08,233 --> 00:06:09,533 I'M TELLING YOU NOW 299 00:06:09,533 --> 00:06:10,433 BOTH OF YOUR ROADS 300 00:06:10,433 --> 00:06:11,733 ARE GONNA CROSS. 301 00:06:11,733 --> 00:06:13,933 JUST BE READY WHEN IT COMES. 302 00:06:13,933 --> 00:06:15,133 THERE'S NO PREPARATION. 303 00:06:15,133 --> 00:06:15,867 IT IS WHAT IT IS. 304 00:06:15,867 --> 00:06:18,133 WELL, DO WHAT YOU HAVE TO DO. 305 00:06:18,133 --> 00:06:19,267 I ALREADY KNOW YOU GONNA HAVE 306 00:06:19,267 --> 00:06:19,933 TO CHECK THE BITCH 307 00:06:19,933 --> 00:06:20,667 SOONER OR LATER. 308 00:06:20,667 --> 00:06:21,767 I MEAN, SHE MIGHT-- 309 00:06:21,767 --> 00:06:22,600 SHE MIGHT COME AND RESPECT ME. 310 00:06:22,600 --> 00:06:23,433 YOU GOT TO CHECK THAT BITCH. 311 00:06:23,433 --> 00:06:24,633 [bleep] THAT. 312 00:06:24,633 --> 00:06:25,300 WE CAN HANDLE THIS 313 00:06:25,300 --> 00:06:26,567 LIKE TWO WOMEN 314 00:06:26,567 --> 00:06:27,967 OR WE CAN GET INTO SOME 315 00:06:27,967 --> 00:06:29,133 GANGSTA [bleep]. 316 00:06:29,133 --> 00:06:29,967 MOMMA DEE, 317 00:06:29,967 --> 00:06:30,867 YOU KNOW WHAT I'M TALKING ABOUT? 318 00:06:30,867 --> 00:06:32,867 [laughs] 319 00:06:39,267 --> 00:06:41,133 HEY, WHAT'S UP, MAMA? 320 00:06:41,133 --> 00:06:42,367 HEY, KARLIE. 321 00:06:42,367 --> 00:06:43,233 HOW ARE YOU? 322 00:06:43,233 --> 00:06:45,667 I PASSED UP THAT SITUATION. 323 00:06:45,667 --> 00:06:47,200 MY FRIENDSHIPS--I SEE THEM 324 00:06:47,200 --> 00:06:48,233 LIKE THIS. 325 00:06:48,233 --> 00:06:49,400 IF YOU AND I WERE CLOSE 326 00:06:49,400 --> 00:06:51,067 BACK IN L.A., NO MATTER YOU AT-- 327 00:06:51,067 --> 00:06:52,067 WHAT CITY YOU AT-- 328 00:06:52,067 --> 00:06:53,133 I'MA HAVE YOUR BACK. 329 00:06:53,133 --> 00:06:54,733 AND I FEEL LIKE 330 00:06:54,733 --> 00:06:57,967 YOU SHOULD'VE CAME AND SAID, 331 00:06:57,967 --> 00:06:59,067 "YO, K.MICHELLE 332 00:06:59,067 --> 00:07:00,133 GOT BEEF WITH YOU." 333 00:07:00,133 --> 00:07:01,733 I DIDN'T KNOW K.MICHELLE HAD 334 00:07:01,733 --> 00:07:03,233 BEEF WITH YOU. 335 00:07:03,233 --> 00:07:05,067 ME AND MIMI USED TO BE CLOSE 336 00:07:05,067 --> 00:07:06,333 BACK IN THE DAYS IN L.A. 337 00:07:06,333 --> 00:07:07,867 I JUST FEEL LIKE SHE LET ME DOWN 338 00:07:07,867 --> 00:07:08,533 THE OTHER DAY. 339 00:07:08,533 --> 00:07:10,467 LIKE, YOU KNEW K.MICHELLE 340 00:07:10,467 --> 00:07:11,200 WANTED TO FIGHT. 341 00:07:11,200 --> 00:07:12,633 WHY YOU AIN'T HAD MY BACK? 342 00:07:12,633 --> 00:07:13,733 I DIDN'T KNOW SHE WAS GONNA 343 00:07:13,733 --> 00:07:15,300 START BLASTING ME ABOUT-- 344 00:07:15,300 --> 00:07:16,367 I DIDN'T KNOW THAT EITHER. 345 00:07:16,367 --> 00:07:17,433 I DIDN'T KNOW THAT EITHER, 346 00:07:17,433 --> 00:07:18,133 KARLIE. 347 00:07:18,133 --> 00:07:19,500 I'M NOT RESPONSIBLE FOR HOW 348 00:07:19,500 --> 00:07:21,367 K.MICHELLE HANDLES HER [bleep]. 349 00:07:21,367 --> 00:07:22,667 RIGHT, BUT-- 350 00:07:22,667 --> 00:07:23,367 SO YOU DIDN'T KNOW 351 00:07:23,367 --> 00:07:24,067 SHE WAS ANGRY. 352 00:07:24,067 --> 00:07:25,200 I KNEW SHE HAD A ISSUE 353 00:07:25,200 --> 00:07:25,867 WITH YOU, BUT OF COURSE, 354 00:07:25,867 --> 00:07:28,200 I THOUGHT YOU KNEW ABOUT IT. 355 00:07:28,200 --> 00:07:29,333 CLEARLY YOU HAVE TO KNOW YOU 356 00:07:29,333 --> 00:07:30,733 AND K.MICHELLE HAVE AN ISSUE. 357 00:07:30,733 --> 00:07:32,700 I MEAN, EVERYBODY ELSE KNOWS. 358 00:07:32,700 --> 00:07:34,133 HOW COME YOU DON'T KNOW? 359 00:07:34,133 --> 00:07:35,267 SHOT THROWING, 360 00:07:35,267 --> 00:07:37,667 SILVERWARE THROWING. 361 00:07:37,667 --> 00:07:39,133 NOW YOU GOT ISSUES. 362 00:07:39,133 --> 00:07:41,133 OH, YEAH, WE GOT BEEF NOW. 363 00:07:41,133 --> 00:07:42,133 WE GOT SOME SITUATIONS 364 00:07:42,133 --> 00:07:42,767 RIGHT NOW. 365 00:07:42,767 --> 00:07:43,533 CLEARLY. 366 00:07:43,533 --> 00:07:44,333 EITHER TALK TO ME 367 00:07:44,333 --> 00:07:45,167 LIKE AN ADULT 368 00:07:45,167 --> 00:07:45,933 OR PUT YOUR HANDS UP 369 00:07:45,933 --> 00:07:46,600 LIKE AN ADULT. 370 00:07:46,600 --> 00:07:48,433 K.MICHELLE HANDLES HER THINGS 371 00:07:48,433 --> 00:07:49,367 THE WAY SHE HANDLES 'EM. 372 00:07:49,367 --> 00:07:50,667 I HANDLE MINE HOW I HANDLE MINE. 373 00:07:50,667 --> 00:07:51,667 AND I'MA HANDLE MINE LIKE 374 00:07:51,667 --> 00:07:52,600 HOW I HANDLE MINE 375 00:07:52,600 --> 00:07:53,367 WHEN I SEE HER. 376 00:07:53,367 --> 00:07:54,833 AND THERE YOU HAVE IT. 377 00:07:54,833 --> 00:07:57,533 THAT TO THE SIDE-- 378 00:07:57,533 --> 00:08:00,133 I'M JUST UNCLEAR ON, YOU KNOW, 379 00:08:00,133 --> 00:08:02,967 I KNOW YOU ASKED TO WORK 380 00:08:02,967 --> 00:08:03,700 WITH STEVIE. 381 00:08:03,700 --> 00:08:04,400 I DON'T KNOW IF YOU KNOW 382 00:08:04,400 --> 00:08:05,133 WHAT'S GOING ON. 383 00:08:05,133 --> 00:08:05,733 OH, BY THE WAY, I HAVE 384 00:08:05,733 --> 00:08:06,400 SOMETHING TO TELL YOU 385 00:08:06,400 --> 00:08:07,133 ABOUT THAT. 386 00:08:07,133 --> 00:08:08,400 I MET WITH STEVIE. 387 00:08:08,400 --> 00:08:11,267 STEVIE SAID, "I WANT YOU TO DO 388 00:08:11,267 --> 00:08:12,233 A SONG WITH JOSELINE." 389 00:08:12,233 --> 00:08:13,500 THERE'S A WHOLE LOT GOING ON 390 00:08:13,500 --> 00:08:15,300 BETWEEN STEVIE AND I. 391 00:08:15,300 --> 00:08:16,533 I DON'T KNOW IF YOU KNOW OR NOT. 392 00:08:16,533 --> 00:08:18,067 STEVIE'S GOTTEN JOSELINE 393 00:08:18,067 --> 00:08:19,233 PREGNANT. 394 00:08:19,233 --> 00:08:23,867 IT'S JUST A WHOLE LOT GOING ON. 395 00:08:23,867 --> 00:08:25,867 I GUESS WHAT I WAS SAYING 396 00:08:25,867 --> 00:08:27,500 WAS TRUE. 397 00:08:27,500 --> 00:08:30,700 YEAH, IT WAS VERY TRUE. 398 00:08:30,700 --> 00:08:31,467 WAS VERY TRUE. 399 00:08:31,467 --> 00:08:33,333 MM-HMM. 400 00:08:33,333 --> 00:08:34,133 WHAT? 401 00:08:34,133 --> 00:08:35,267 WHAT DO YOU HAVE TO SAY NOW? 402 00:08:35,267 --> 00:08:36,967 OH, YOU FEEL STUPID. 403 00:08:36,967 --> 00:08:38,200 OH, YOU'RE HURT. 404 00:08:38,200 --> 00:08:40,167 I TRIED TO WARN YOU. 405 00:08:40,167 --> 00:08:41,300 I'M NOT GONNA BE IN THE MIDDLE 406 00:08:41,300 --> 00:08:42,333 BETWEEN Y'ALL'S [bleep]. 407 00:08:42,333 --> 00:08:44,067 AND I NEVER ASKED YOU TO. 408 00:08:44,067 --> 00:08:44,833 I DON'T WANT YOU TO BE 409 00:08:44,833 --> 00:08:45,567 IN THE MIDDLE OF ANYTHING. 410 00:08:45,567 --> 00:08:46,333 ACTUALLY, THERE'S NOTHING 411 00:08:46,333 --> 00:08:47,833 TO BE IN THE MIDDLE OF. 412 00:08:47,833 --> 00:08:49,067 I SEE YOU AND HER BECOMING 413 00:08:49,067 --> 00:08:50,967 FRIENDS AND IT BEING SOME WHOLE 414 00:08:50,967 --> 00:08:51,700 OTHER [bleep]. 415 00:08:51,700 --> 00:08:52,733 YOU UNDERSTAND WHERE I'M 416 00:08:52,733 --> 00:08:53,433 COMING FROM. 417 00:08:53,433 --> 00:08:55,400 POLITICS-WISE, THIS IS BUSINESS. 418 00:08:55,400 --> 00:08:57,167 I GET IT, KARLIE. 419 00:08:57,167 --> 00:08:58,167 GOT TO DO WHAT YOU GOT TO DO, 420 00:08:58,167 --> 00:09:00,233 RIGHT? 421 00:09:03,633 --> 00:09:04,767 YOU KNOW WHAT? 422 00:09:04,767 --> 00:09:06,800 ENOUGH IS ENOUGH. 423 00:09:06,800 --> 00:09:08,233 LADIES AND GENTLEMEN, 424 00:09:08,233 --> 00:09:09,867 HERE'S MY NEW VIDEO 425 00:09:09,867 --> 00:09:11,767 AND MY NEW SINGLE: MARRY ME. 426 00:09:11,767 --> 00:09:13,067 [cheers and applause] 427 00:09:13,067 --> 00:09:13,900 JOSELINE-- 428 00:09:13,900 --> 00:09:15,567 LIKE, SHE THREATENED BABY MOM. 429 00:09:15,567 --> 00:09:17,200 WHY WOULD SHE BE FLIPPING OUT 430 00:09:17,200 --> 00:09:18,133 AND SENDING THREATS, LIKE, 431 00:09:18,133 --> 00:09:18,767 FOR WHAT? 432 00:09:18,767 --> 00:09:20,767 ARE Y'ALL STILL [bleep] AROUND? 433 00:09:34,300 --> 00:09:37,133 HI, HOW ARE YOU? 434 00:09:37,133 --> 00:09:41,533 I'M HERE FOR LUMPY. 435 00:09:41,533 --> 00:09:43,400 HEY. 436 00:09:43,400 --> 00:09:44,567 SIT DOWN. 437 00:09:44,567 --> 00:09:45,767 KARLIE CALLED ME UP TO COME 438 00:09:45,767 --> 00:09:46,867 DOWN THERE TO SEE HER 439 00:09:46,867 --> 00:09:48,500 TO DISCUSS THE SITUATION. 440 00:09:48,500 --> 00:09:49,633 I MEAN, SHE'S 30 YEARS OLDER 441 00:09:49,633 --> 00:09:50,300 THAN ME. 442 00:09:50,300 --> 00:09:51,600 SHE SHOULD BE THE MATURE ONE. 443 00:09:51,600 --> 00:09:53,233 SO I SAID, "WHAT THE HECK? 444 00:09:53,233 --> 00:09:54,067 I'LL GO DOWN THERE, 445 00:09:54,067 --> 00:09:55,100 'CAUSE THAT SPIRIT IS NOT 446 00:09:55,100 --> 00:09:56,900 WALKING INTO MY HOUSE." 447 00:09:56,900 --> 00:09:58,867 THE INDUSTRY IS VERY, 448 00:09:58,867 --> 00:09:59,900 VERY SMALL. 449 00:09:59,900 --> 00:10:01,800 AND THE THINGS THAT THEY-- 450 00:10:01,800 --> 00:10:02,967 I'VE HEARD IN THE INDUSTRY 451 00:10:02,967 --> 00:10:03,633 THAT, YOU KNOW, 452 00:10:03,633 --> 00:10:05,333 "K.MICHELLE'S A LITTLE CUCKOO. 453 00:10:05,333 --> 00:10:07,133 SHE BE GOING OFF." 454 00:10:07,133 --> 00:10:09,333 YOU KNOW, AND THE WAY YOU CAME 455 00:10:09,333 --> 00:10:10,800 AT ME AT THE RESTAURANT-- 456 00:10:10,800 --> 00:10:11,700 THAT WASN'T COOL. 457 00:10:11,700 --> 00:10:12,667 THAT WAS MEMPHIS. 458 00:10:12,667 --> 00:10:14,100 IT WASN'T COOL TO A LOT 459 00:10:14,100 --> 00:10:14,767 OF PEOPLE. 460 00:10:14,767 --> 00:10:15,633 MY MAMA RAISED ME, 461 00:10:15,633 --> 00:10:16,767 "TALK [bleep], YOU GET HIT," 462 00:10:16,767 --> 00:10:17,900 AND THAT'S WHAT IT-- 463 00:10:17,900 --> 00:10:19,000 THAT'S HOW I CAME. 464 00:10:19,000 --> 00:10:19,933 I COULD EVEN UNDERSTAND IF 465 00:10:19,933 --> 00:10:20,867 SHE WAS A RAPPER AND SHE WAS 466 00:10:20,867 --> 00:10:21,900 COMING AT ME ON SOME, LIKE, 467 00:10:21,900 --> 00:10:22,600 BULLY [bleep]. 468 00:10:22,600 --> 00:10:24,600 LIKE, "HUH, I'M A RAPPER." 469 00:10:24,600 --> 00:10:25,567 BITCH, YOU'RE A [bleep] 470 00:10:25,567 --> 00:10:26,733 RandB SINGER. 471 00:10:26,733 --> 00:10:28,567 YOU'RE SUPPOSED TO MAKE LOVE. 472 00:10:28,567 --> 00:10:29,867 ALL I KNOW IS WHEN WE WAS 473 00:10:29,867 --> 00:10:31,067 AT MY BIRTHDAY PARTY 474 00:10:31,067 --> 00:10:32,300 I COULDN'T ENJOY IT. 475 00:10:32,300 --> 00:10:33,433 THEN I'M HEARING YOU TALKING 476 00:10:33,433 --> 00:10:35,333 ABOUT ME ON MY SHOWCASE. 477 00:10:35,333 --> 00:10:38,367 THE WHOLE MESS IS COMING 478 00:10:38,367 --> 00:10:39,367 FROM KARLIE. 479 00:10:39,367 --> 00:10:40,367 YOU KNOW WHAT? 480 00:10:40,367 --> 00:10:42,367 ENOUGH IS ENOUGH. 481 00:10:42,367 --> 00:10:43,667 WELL, FIRST OF ALL, 482 00:10:43,667 --> 00:10:45,067 ALL THAT "HE SAID, SHE SAID," 483 00:10:45,067 --> 00:10:45,800 I DON'T DO. 484 00:10:45,800 --> 00:10:47,633 IN THIS INDUSTRY, AT SOME POINT 485 00:10:47,633 --> 00:10:49,100 YOU HAVE TO BE CLASSY. 486 00:10:49,100 --> 00:10:51,467 YOUR CLASSY AIN'T MY CLASSY. 487 00:10:51,467 --> 00:10:52,433 LET ME TALK. 488 00:10:52,433 --> 00:10:53,833 BUT YOU TELLING ME SOMETHING 489 00:10:53,833 --> 00:10:55,400 THAT'S--I DON'T CARE ABOUT. 490 00:10:55,400 --> 00:10:56,667 I'M MORE SEASONED IN THIS GAME 491 00:10:56,667 --> 00:10:57,600 THAN YOU. 492 00:10:57,600 --> 00:10:59,833 THAT'S WHAT YOU THINK, BABY. 493 00:10:59,833 --> 00:11:00,900 YOU DON'T KNOW ME. 494 00:11:00,900 --> 00:11:02,133 IF YOU SHOW ME THE RECEIPTS-- 495 00:11:02,133 --> 00:11:02,967 I LOOKED FOR YOUR RECEIPTS. 496 00:11:02,967 --> 00:11:03,867 WHEN I GOOGLED YOUR NAME, 497 00:11:03,867 --> 00:11:05,067 A VINEGAR POPPED UP. 498 00:11:05,067 --> 00:11:06,433 A BRAND OF VINEGAR. 499 00:11:06,433 --> 00:11:07,767 CUT IT OUT, PERIOD. 500 00:11:07,767 --> 00:11:08,433 IT'S A WRAP. 501 00:11:08,433 --> 00:11:09,833 K.MICHELLE DOES NOT HAVE 502 00:11:09,833 --> 00:11:11,067 THE ABILITY OF HAVING ANY 503 00:11:11,067 --> 00:11:12,267 ADULT CONVERSATION. 504 00:11:12,267 --> 00:11:13,167 I BROUGHT YOU HERE ON SOME 505 00:11:13,167 --> 00:11:14,133 GROWN-ASS WOMAN [bleep] 506 00:11:14,133 --> 00:11:16,133 AND YOU'RE ACTING LIKE A CHILD. 507 00:11:16,133 --> 00:11:16,800 I DON'T HAVE TIME FOR THIS 508 00:11:16,800 --> 00:11:18,133 CHILDISH [bleep]. 509 00:11:18,133 --> 00:11:19,633 BACK TO MY SHOOT. 510 00:11:19,633 --> 00:11:22,067 LET'S GO. 511 00:11:22,067 --> 00:11:23,467 ONE CHEEK, LUMP. 512 00:11:23,467 --> 00:11:24,767 LUMP, LUMP, WALK SAD. 513 00:11:24,767 --> 00:11:25,800 YEAH, WHATEVER. 514 00:11:25,800 --> 00:11:27,933 GET THE [bleep] OUT! 515 00:11:27,933 --> 00:11:29,133 THAT'S HOW I DO IT. 516 00:11:29,133 --> 00:11:31,067 I LIKE YOUR PINK DRESS. 517 00:11:34,133 --> 00:11:35,700 GIRL, I HAD TO COME OVER HERE 518 00:11:35,700 --> 00:11:36,367 TO ASK YOU, GIRL. 519 00:11:36,367 --> 00:11:37,767 WHAT THE HELL WAS THAT ABOUT 520 00:11:37,767 --> 00:11:38,767 YESTERDAY? 521 00:11:38,767 --> 00:11:40,067 HE JUST COMPLETELY TRYING 522 00:11:40,067 --> 00:11:41,700 JUST DESTROY YOU AT THE MOMENT. 523 00:11:41,700 --> 00:11:42,367 I WAS LIKE, 524 00:11:42,367 --> 00:11:43,667 "WHAT IS WRONG WITH HIM?" 525 00:11:43,667 --> 00:11:44,533 MY FRIEND QUEEN WAS AT 526 00:11:44,533 --> 00:11:46,067 THE PHOTO SHOOT WHEN STEVIE 527 00:11:46,067 --> 00:11:47,233 WENT CRAZY ABOUT ME TEXTING 528 00:11:47,233 --> 00:11:47,900 MIMI. 529 00:11:47,900 --> 00:11:48,767 STEVIE'S GETTING REALLY, 530 00:11:48,767 --> 00:11:49,700 REALLY NERVOUS 'CAUSE HE'S 531 00:11:49,700 --> 00:11:51,233 LOSING CONTROL OF MY NECK. 532 00:11:51,233 --> 00:11:51,967 YOU KNOW, HE TRY TO KEEP ME 533 00:11:51,967 --> 00:11:52,667 ON THE CHOKE HOLD, 534 00:11:52,667 --> 00:11:54,067 BUT I'M DONE WITH THAT. 535 00:11:54,067 --> 00:11:55,533 SO IT'S LIKE, YOU KNOW, 536 00:11:55,533 --> 00:11:56,200 HE'S TRIPPING. 537 00:11:56,200 --> 00:11:57,167 YOU KNOW, AT THE PHOTO SHOOT, 538 00:11:57,167 --> 00:11:58,333 HE'S LIKE, "YOU CHECKING ME 539 00:11:58,333 --> 00:11:59,467 ABOUT YOUR BABY MAMA." 540 00:11:59,467 --> 00:12:00,367 YOU CAN'T CHECK ME. 541 00:12:00,367 --> 00:12:01,133 I'M YOUR GIRL NOW. 542 00:12:01,133 --> 00:12:01,800 EXACTLY. 543 00:12:01,800 --> 00:12:02,467 I'M SUPPOSED TO BE 544 00:12:02,467 --> 00:12:03,133 YOUR GIRL NOW. 545 00:12:03,133 --> 00:12:03,800 EXACTLY. 546 00:12:03,800 --> 00:12:04,633 SO YOU NEED TO CHECK HER. 547 00:12:04,633 --> 00:12:05,500 YOU NEED TO TELL HER TO STOP 548 00:12:05,500 --> 00:12:06,233 BLOWING UP YOUR PHONE AT 549 00:12:06,233 --> 00:12:07,567 7:00, 8:00 IN THE MORNING. 550 00:12:07,567 --> 00:12:08,533 OH, NO. 551 00:12:08,533 --> 00:12:11,233 I'M DONE WITH IT. 552 00:12:11,233 --> 00:12:12,333 I DON'T NEED TO TAKE NOBODY MAN. 553 00:12:12,333 --> 00:12:13,233 GIRL, I CAN GET MY OWN MAN. 554 00:12:13,233 --> 00:12:14,067 [scoffs] OOH! 555 00:12:14,067 --> 00:12:15,533 YOU SAY WHAT MY TATTOO SAY. 556 00:12:15,533 --> 00:12:16,733 "MAN EATER." 557 00:12:16,733 --> 00:12:18,733 I EAT--I EAT THEM ALIVE 558 00:12:18,733 --> 00:12:20,067 SO YOU CAN HAVE THAT. 559 00:12:20,067 --> 00:12:22,433 BUT I WANT TO APOLOGIZE TO HER 560 00:12:22,433 --> 00:12:23,567 BECAUSE HE'S A LITTLE LIAR 561 00:12:23,567 --> 00:12:24,800 AND HE'S TRYING TO CONTROL EVERY 562 00:12:24,800 --> 00:12:25,600 SITUATION. 563 00:12:25,600 --> 00:12:26,833 SO HE CAN BE TELLING HER 564 00:12:26,833 --> 00:12:28,067 THEY TOGETHER. 565 00:12:28,067 --> 00:12:28,700 YOU KNOW, SHE DON'T KNOW 566 00:12:28,700 --> 00:12:29,367 NO BETTER. 567 00:12:29,367 --> 00:12:30,467 THE PROBLEM IS STEVIE 568 00:12:30,467 --> 00:12:31,767 AND HIS LYING ASS. 569 00:12:31,767 --> 00:12:32,700 THAT'S THE PROBLEM. 570 00:12:32,700 --> 00:12:33,433 YOU JUST WANT TO LIE. 571 00:12:33,433 --> 00:12:34,100 YOU WANT TO KEEP 572 00:12:34,100 --> 00:12:34,767 THE BOTH OF US. 573 00:12:34,767 --> 00:12:35,900 HE WANT TO [bleep] HER, 574 00:12:35,900 --> 00:12:36,633 [bleep] ME, 575 00:12:36,633 --> 00:12:37,300 [bleep] ARIANE, 576 00:12:37,300 --> 00:12:38,100 [bleep] MY FRIEND. 577 00:12:38,100 --> 00:12:39,600 HE WANT TO [bleep] EVERYBODY. 578 00:12:39,600 --> 00:12:42,200 HE'S JUST A RABBIT. 579 00:12:42,200 --> 00:12:43,700 HE'S NOT GONNA WORK WITH ME 580 00:12:43,700 --> 00:12:44,867 UNLESS I BE WITH HIM. 581 00:12:44,867 --> 00:12:45,967 HE ALREADY MADE THAT CLEAR 582 00:12:45,967 --> 00:12:47,633 TO ME AND I CAN SEE IT, 583 00:12:47,633 --> 00:12:49,567 BECAUSE HE DOESN'T WORK FOR ME 584 00:12:49,567 --> 00:12:51,233 UNLESS I'M WITH HIM. 585 00:12:51,233 --> 00:12:52,800 SO I HAVE TO DO WHAT I HAVE 586 00:12:52,800 --> 00:12:53,467 TO DO TO MAKE SURE THAT 587 00:12:53,467 --> 00:12:54,533 MY CAREER KEEPS GOING ON. 588 00:12:54,533 --> 00:12:56,100 SO I WENT BEHIND HIS BACK. 589 00:12:56,100 --> 00:12:57,367 HE DON'T KNOW THAT I WENT 590 00:12:57,367 --> 00:12:58,067 TO GO SEE THE PRODUCERS. 591 00:12:58,067 --> 00:12:59,133 BUT YOU WENT BEHIND HIS BACK? 592 00:12:59,133 --> 00:13:00,600 YOU IS [bleep] CRAZY. 593 00:13:00,600 --> 00:13:02,133 OH, MY GOODNESS. 594 00:13:02,133 --> 00:13:03,400 YOU WENT BEHIND HIS BACK. 595 00:13:03,400 --> 00:13:04,167 I WENT BEHIND HIS BACK. 596 00:13:04,167 --> 00:13:04,867 THAT MOTHER[bleep]'S 597 00:13:04,867 --> 00:13:05,867 GONNA GO BALLISTIC. 598 00:13:05,867 --> 00:13:07,933 HE IS GONNA GO [bleep] CRAZY. 599 00:13:07,933 --> 00:13:08,600 THAT'S WHY I CHANGED 600 00:13:08,600 --> 00:13:09,967 MY NUMBER, SO HE WON'T BE ABLE-- 601 00:13:09,967 --> 00:13:10,900 IF HE HEARS, HE WON'T EVEN 602 00:13:10,900 --> 00:13:11,967 BE ABLE TO CALL ME. 603 00:13:11,967 --> 00:13:13,067 I COULD REALLY WORK WITH 604 00:13:13,067 --> 00:13:13,733 ANY PRODUCER THAT I WANT 605 00:13:13,733 --> 00:13:14,400 TO WORK WITH. 606 00:13:14,400 --> 00:13:15,700 IT'S NOT REALLY JUST ABOUT ME 607 00:13:15,700 --> 00:13:16,367 WORKING WITH STEVIE. 608 00:13:16,367 --> 00:13:17,333 LIKE, STEVIE'S COOL 609 00:13:17,333 --> 00:13:18,067 AND EVERYTHING. 610 00:13:18,067 --> 00:13:19,233 MY SUCCESS WILL NOT BE 611 00:13:19,233 --> 00:13:20,733 DETERMINED BY STEVIE J. 612 00:13:20,733 --> 00:13:22,367 HE LEFT SOME CLOTHES HERE, 613 00:13:22,367 --> 00:13:23,767 ALL OF THOSE BOTTLES OF CIROC. 614 00:13:23,767 --> 00:13:24,767 I'M GONNA BRING IT ALL TO HER. 615 00:13:24,767 --> 00:13:25,933 "YOU KNOW, TAKE IT TO YOUR MAN. 616 00:13:25,933 --> 00:13:26,600 HAVE HIM." 617 00:13:26,600 --> 00:13:27,867 I CAN'T--I CAN'T DEAL WITH HIM 618 00:13:27,867 --> 00:13:28,533 ANYMORE. 619 00:13:28,533 --> 00:13:30,233 I DON'T WANT TO DEAL WITH HIM 620 00:13:30,233 --> 00:13:31,933 ANYMORE. 621 00:13:31,933 --> 00:13:33,267 [hip-hop music] 622 00:13:33,267 --> 00:13:34,567 * WHAT 623 00:13:34,567 --> 00:13:36,900 [laughs] 624 00:13:36,900 --> 00:13:38,733 ♪ RASHEEDA, BABY 625 00:13:38,733 --> 00:13:40,067 ♪ AHH, BABY 626 00:13:40,067 --> 00:13:41,067 Y'ALL KNOW HOW TO DO IT, RIGHT? 627 00:13:41,067 --> 00:13:41,733 ♪ UH-HUH 628 00:13:41,733 --> 00:13:42,700 AFTER A WHOLE LOT OF 629 00:13:42,700 --> 00:13:44,367 HARD WORK, THE MARRY ME VIDEO 630 00:13:44,367 --> 00:13:45,667 IS READY, AND I'M GONNA 631 00:13:45,667 --> 00:13:46,400 UNVEIL IT. 632 00:13:46,400 --> 00:13:47,500 AND I'M JUST EXCITED AND 633 00:13:47,500 --> 00:13:48,700 WANT TO SEE JUST A-- 634 00:13:48,700 --> 00:13:49,633 I'M HOPING FOR A WHOLE LOT 635 00:13:49,633 --> 00:13:51,133 OF SUCCESS ON THIS. 636 00:13:51,133 --> 00:13:52,967 [giggles] 637 00:13:52,967 --> 00:13:54,567 LIKE THIS, GIRL. 638 00:13:54,567 --> 00:13:55,600 UH-UH. 639 00:13:55,600 --> 00:13:56,500 GIRL, IT'S PRETTY IN HERE. 640 00:13:56,500 --> 00:13:58,500 IT'S KIND OF DEAD. 641 00:14:04,200 --> 00:14:05,700 WHERE EVERYBODY AT? 642 00:14:05,700 --> 00:14:07,367 UM... 643 00:14:07,367 --> 00:14:08,467 KIRK PROMISED ME THAT 644 00:14:08,467 --> 00:14:09,867 THIS LAUNCH PARTY WAS GONNA 645 00:14:09,867 --> 00:14:10,567 BE OFF THE CHAIN. 646 00:14:10,567 --> 00:14:12,133 HE HAD EVERYTHING UNDER CONTROL. 647 00:14:12,133 --> 00:14:12,800 I DIDN'T HAVE NOTHING 648 00:14:12,800 --> 00:14:13,467 TO WORRY ABOUT, 649 00:14:13,467 --> 00:14:14,167 AND THIS PARTY WAS GONNA 650 00:14:14,167 --> 00:14:15,067 BE PACKED. 651 00:14:15,067 --> 00:14:16,133 BUT GUESS WHAT. 652 00:14:16,133 --> 00:14:17,367 IT AIN'T. 653 00:14:17,367 --> 00:14:18,067 YOU WAS TELLING ME, 654 00:14:18,067 --> 00:14:18,800 "HOLD TIGHT, I GOT-- 655 00:14:18,800 --> 00:14:20,667 THIS IS WHAT WE GONNA DO." 656 00:14:20,667 --> 00:14:21,633 I GUESS I SHOULD HAVE 657 00:14:21,633 --> 00:14:23,233 BEEN INVOLVED IN ORDER FOR 658 00:14:23,233 --> 00:14:24,067 IT TO MAYBE TURN OUT RIGHT. 659 00:14:24,067 --> 00:14:24,767 SO YOU THINK I'M SUPPOSED 660 00:14:24,767 --> 00:14:25,767 TO HOLD PEOPLE HAND AND BRING 661 00:14:25,767 --> 00:14:26,433 THEM IN HERE? 662 00:14:26,433 --> 00:14:27,133 PEOPLE GONNA BE THERE-- 663 00:14:27,133 --> 00:14:28,133 NO, BUT WHAT YOU SUPPOSED 664 00:14:28,133 --> 00:14:29,233 TO DO--YOU SUPPOSED TO OVERSEE 665 00:14:29,233 --> 00:14:30,633 YOURSELF AND EVERYBODY WHO'S 666 00:14:30,633 --> 00:14:31,400 SUPPOSED TO BE HELPING YOU 667 00:14:31,400 --> 00:14:32,667 PUT THIS TOGETHER 668 00:14:32,667 --> 00:14:33,833 SO THAT ULTIMATELY IT CAN BE 669 00:14:33,833 --> 00:14:34,967 A GOOD LOOK. 670 00:14:34,967 --> 00:14:36,100 WHY DOES IT ALWAYS 671 00:14:36,100 --> 00:14:37,167 GOT TO BE SOMETHING? 672 00:14:37,167 --> 00:14:38,300 COME ON, MAN, TIGHTEN UP. 673 00:14:38,300 --> 00:14:39,167 YOU GODDAMN SMIRKIN' AND 674 00:14:39,167 --> 00:14:39,833 I DON'T THINK 675 00:14:39,833 --> 00:14:40,867 THIS [bleep] FUNNY. 676 00:14:40,867 --> 00:14:41,700 I DON'T HAVE TIME FOR 677 00:14:41,700 --> 00:14:44,833 THIS [bleep] TODAY. 678 00:14:44,833 --> 00:14:46,400 I'M NEVER MAKING YOU HAPPY. 679 00:14:46,400 --> 00:14:47,767 I'M NEVER DOING ENOUGH. 680 00:14:47,767 --> 00:14:48,800 I'M BREAKING MY NECK HERE. 681 00:14:48,800 --> 00:14:52,733 IS IT--WHAT DO YOU WANT FROM ME? 682 00:14:52,733 --> 00:14:55,767 LADIES AND GENTLEMEN, HELLO. 683 00:14:55,767 --> 00:14:57,367 [cheers and applause] 684 00:14:57,367 --> 00:14:58,233 OH, Y'ALL MAKE ME FEEL 685 00:14:58,233 --> 00:14:59,500 SO SPECIAL. 686 00:14:59,500 --> 00:15:01,133 EVERYBODY LOOKS SO SEXY. 687 00:15:01,133 --> 00:15:02,233 I APPRECIATE EVERYBODY 688 00:15:02,233 --> 00:15:03,900 FOR COMING OUT FOR THE LAUNCH 689 00:15:03,900 --> 00:15:05,433 OF MY NEW PROJECT. 690 00:15:05,433 --> 00:15:06,833 FROST AND I WANTED TO TRY 691 00:15:06,833 --> 00:15:07,733 SOMETHING DIFFERENT WITH 692 00:15:07,733 --> 00:15:09,200 THE PROJECT AND BASICALLY 693 00:15:09,200 --> 00:15:10,733 JUST KIND OF SHOWCASE 694 00:15:10,733 --> 00:15:11,467 THE NEW VIDEO 695 00:15:11,467 --> 00:15:12,500 WHICH IS MY NEW SINGLE. 696 00:15:12,500 --> 00:15:13,567 IT'S CALLED MARRY ME, 697 00:15:13,567 --> 00:15:15,467 AND WE'RE GONNA PLAY IT 698 00:15:15,467 --> 00:15:16,867 RIGHT ABOUT NOW. 699 00:15:16,867 --> 00:15:18,267 SO LADIES AND GENTLEMEN, 700 00:15:18,267 --> 00:15:19,900 HERE'S MY NEW VIDEO 701 00:15:19,900 --> 00:15:22,767 AND MY NEW SINGLE: MARRY ME. 702 00:15:22,767 --> 00:15:25,767 [cheers and applause] 703 00:15:30,533 --> 00:15:33,467 [sparse applause continues] 704 00:15:33,467 --> 00:15:35,067 OKAY, WAIT A MINUTE. 705 00:15:35,067 --> 00:15:36,433 HOLD ON, HOLD ON, HOLD ON. 706 00:15:36,433 --> 00:15:37,567 HEY, HEY, HEY, HEY, HEY. 707 00:15:37,567 --> 00:15:38,367 * SITTIN' ON HIM ♪ 708 00:15:38,367 --> 00:15:40,167 ♪ MAKE HIM WANT TO MARRY ME 709 00:15:40,167 --> 00:15:41,067 THIS MONITOR'S 710 00:15:41,067 --> 00:15:42,067 NOT GONNA WORK. 711 00:15:42,067 --> 00:15:43,600 NO, WE GONNA HAVE TO... 712 00:15:43,600 --> 00:15:44,433 SO EVERYBODY NEEDS 713 00:15:44,433 --> 00:15:46,467 TO TURN AROUND. 714 00:15:46,467 --> 00:15:48,500 I AM SO SORRY ABOUT 715 00:15:48,500 --> 00:15:49,967 THE TECHNICAL DIFFICULTIES. 716 00:15:49,967 --> 00:15:51,300 SOMETIMES MY TEAM 717 00:15:51,300 --> 00:15:52,800 JUST BE SLIPPING. 718 00:15:52,800 --> 00:15:53,733 THE VIDEO'S GONNA BE PLAYING 719 00:15:53,733 --> 00:15:55,067 BACK HERE ON THIS SCREEN. 720 00:15:55,067 --> 00:15:56,333 SO IF YOU GUYS DON'T MIND, 721 00:15:56,333 --> 00:15:57,533 IF YOU COULD TURN AROUND 722 00:15:57,533 --> 00:15:59,300 AND WATCH IT FROM THIS SCREEN 723 00:15:59,300 --> 00:16:00,067 RIGHT HERE, 724 00:16:00,067 --> 00:16:01,867 I WOULD GREATLY APPRECIATE IT. 725 00:16:01,867 --> 00:16:02,700 * P-PUT IT 726 00:16:02,700 --> 00:16:03,400 *PUT IT ON HIM ♪ 727 00:16:03,400 --> 00:16:04,167 * DON'T YOU KNOW? ♪ 728 00:16:04,167 --> 00:16:05,133 ♪ BOY, YOU KNOW YOU... 729 00:16:05,133 --> 00:16:07,133 YOU STILL GONNA LOOK OUT 730 00:16:07,133 --> 00:16:08,533 FOR ME ON THAT CHILD SUPPORT 731 00:16:08,533 --> 00:16:10,067 PAPERWORK? 732 00:16:10,067 --> 00:16:11,900 I KNOW OUR CAPABILITIES, 733 00:16:11,900 --> 00:16:13,267 BUT I DON'T KNOW IF WE CAN 734 00:16:13,267 --> 00:16:15,667 DO IT WITH JUST ME AND YOU. 735 00:16:15,667 --> 00:16:16,800 I GOT NO PROBLEM 736 00:16:16,800 --> 00:16:18,800 LOOKING IN YOUR EYES. 737 00:16:31,633 --> 00:16:32,433 YEAH, MAN, I WANT TO 738 00:16:32,433 --> 00:16:33,767 CLEAR THINGS UP WITH ERICA, MAN. 739 00:16:33,767 --> 00:16:35,167 YOU KNOW, I MEAN, HELL, 740 00:16:35,167 --> 00:16:35,967 ME AND ERICA-- 741 00:16:35,967 --> 00:16:36,867 WE GOT A BABY TOGETHER. 742 00:16:36,867 --> 00:16:37,533 YOU FEEL ME? 743 00:16:37,533 --> 00:16:39,100 AND, YOU KNOW, WE DONE KNOWN 744 00:16:39,100 --> 00:16:39,833 EACH OTHER FOREVER. 745 00:16:39,833 --> 00:16:41,567 BEEN THROUGH STUFF UP AND DOWN 746 00:16:41,567 --> 00:16:43,100 AND ALL THAT. 747 00:16:43,100 --> 00:16:43,700 HEY. 748 00:16:43,700 --> 00:16:44,567 HEY, WHAT'S UP? 749 00:16:44,567 --> 00:16:45,533 WHAT'S HAPPENING WITH YOU? 750 00:16:45,533 --> 00:16:46,433 YOU GOOD? 751 00:16:46,433 --> 00:16:47,700 MM-HMM, I'M GOOD. 752 00:16:47,700 --> 00:16:48,733 JUST CAME OVER HERE 753 00:16:48,733 --> 00:16:49,833 TO GET THE COUCH. 754 00:16:49,833 --> 00:16:50,700 TOLD ME TO GET IT, 755 00:16:50,700 --> 00:16:51,400 AND I WANT TO COME HOLLA 756 00:16:51,400 --> 00:16:52,867 AT YOU ABOUT A LITTLE 757 00:16:52,867 --> 00:16:54,533 CONVERSATION WE HAD 758 00:16:54,533 --> 00:16:55,600 THE OTHER DAY. 759 00:16:55,600 --> 00:16:56,400 IT WAS HEATED, 760 00:16:56,400 --> 00:16:57,100 YOU KNOW WHAT I'M SAYING? 761 00:16:57,100 --> 00:16:59,567 I THINK I SAID THE RIGHT THING 762 00:16:59,567 --> 00:17:00,433 IN THE WRONG WAY, 763 00:17:00,433 --> 00:17:03,200 AND I DON'T WANT TO RUIN US 764 00:17:03,200 --> 00:17:04,200 PERMANENTLY. 765 00:17:04,200 --> 00:17:05,333 NO MATTER WHAT HE DOES 766 00:17:05,333 --> 00:17:06,767 AND WHERE HE GOES-- 767 00:17:06,767 --> 00:17:08,533 SOMEHOW, SOME WAY, IT COMES BACK 768 00:17:08,533 --> 00:17:10,167 AROUND TO WHERE HE NEEDS ME 769 00:17:10,167 --> 00:17:11,567 AND I KNOW WHAT'S COMING. 770 00:17:11,567 --> 00:17:12,867 PUT YOURSELF IN MY SHOES. 771 00:17:12,867 --> 00:17:13,800 ONE MINUTE YOU WANT TO BE 772 00:17:13,800 --> 00:17:14,833 WITH ME, ONE MINUTE YOU DON'T. 773 00:17:14,833 --> 00:17:15,667 IT'S LIKE YOU CAN'T DO THAT. 774 00:17:15,667 --> 00:17:16,567 THAT'S PLAYING WITH SOMEBODY'S 775 00:17:16,567 --> 00:17:17,233 EMOTIONS. 776 00:17:17,233 --> 00:17:18,567 SO YOU CAN'T HELP BUT UNDERSTAND 777 00:17:18,567 --> 00:17:19,233 HOW I FEEL. 778 00:17:19,233 --> 00:17:19,933 I AIN'T TRYING TO PLAY 779 00:17:19,933 --> 00:17:20,667 WITH YOU--YOUR EMOTIONS. 780 00:17:20,667 --> 00:17:21,567 SO WHAT DO YOU THINK 781 00:17:21,567 --> 00:17:22,367 YOU DOING THOUGH? 782 00:17:22,367 --> 00:17:23,767 I DON'T LIKE HOW WE BE. 783 00:17:23,767 --> 00:17:24,467 THAT'S 'CAUSE YOU 784 00:17:24,467 --> 00:17:25,500 HOT AND COLD. 785 00:17:25,500 --> 00:17:26,167 SOMETIMES YOU HAVE-- 786 00:17:26,167 --> 00:17:27,200 SO I KEEP MY DISTANCE-- 787 00:17:27,200 --> 00:17:28,367 YEAH, I HAVE MY DAYS. 788 00:17:28,367 --> 00:17:29,833 BUT IN THE SAME BREATH, 789 00:17:29,833 --> 00:17:31,500 I COME AND STILL SHOW YOU LOVE. 790 00:17:31,500 --> 00:17:32,700 LIKE, I KNOW I SHOW IT 791 00:17:32,700 --> 00:17:33,367 AND YOU KNOW THAT. 792 00:17:33,367 --> 00:17:34,900 IT WASN'T A LOT, YOU FEEL ME? 793 00:17:34,900 --> 00:17:35,567 IT WASN'T WHAT I WAS 794 00:17:35,567 --> 00:17:36,233 LOOKING FOR. 795 00:17:36,233 --> 00:17:37,100 IT'S NOT WHAT YOU WANTED 796 00:17:37,100 --> 00:17:37,733 WHEN YOU WANTED IT. 797 00:17:37,733 --> 00:17:39,900 RIGHT, ANYWAY 798 00:17:39,900 --> 00:17:41,667 HOPEFULLY IF YOU TAKE ME BACK IN 799 00:17:41,667 --> 00:17:43,533 ONE DAY TO WHEN MY HEAD RIGHT 800 00:17:43,533 --> 00:17:45,467 OR WHENEVER I FEEL LIKE I'M-- 801 00:17:45,467 --> 00:17:46,300 YOU SEE, THAT'S THE THING. 802 00:17:46,300 --> 00:17:47,333 IT'S NOT WHEN YOU WANT TO BE 803 00:17:47,333 --> 00:17:48,100 WITH ME, SCRAPPY. 804 00:17:48,100 --> 00:17:49,400 LIKE I TOLD YOU BEFORE, 805 00:17:49,400 --> 00:17:50,233 WHEN WE TALKED 806 00:17:50,233 --> 00:17:50,933 AND YOU WERE HERE 807 00:17:50,933 --> 00:17:51,867 AND WE SAID WE WERE GONNA 808 00:17:51,867 --> 00:17:52,867 MOVE FORWARD, 809 00:17:52,867 --> 00:17:54,167 I TOLD YOU, LIKE, 810 00:17:54,167 --> 00:17:55,333 YOU HAD NO ROOM TO MESS UP, 811 00:17:55,333 --> 00:17:56,400 NO ROOM FOR ERROR. 812 00:17:56,400 --> 00:17:57,567 WHEN DID I MESS UP? 813 00:17:57,567 --> 00:17:59,867 UM, THE CHEATING, THE GAMES, 814 00:17:59,867 --> 00:18:01,433 THE DIFFERENT FEMALES. 815 00:18:01,433 --> 00:18:02,867 THAT CHAPTER OF MY LIFE 816 00:18:02,867 --> 00:18:03,533 IS CLOSED. 817 00:18:03,533 --> 00:18:04,567 I MEAN, I DO LOVE YOU, 818 00:18:04,567 --> 00:18:05,233 YOU FEEL ME? 819 00:18:05,233 --> 00:18:07,067 I DON'T HATE YOU OR NOTHING. 820 00:18:07,067 --> 00:18:08,767 I DON'T SEE NO REASON TO, 821 00:18:08,767 --> 00:18:09,867 AND I WANT YOU TO BE HAPPY. 822 00:18:09,867 --> 00:18:11,267 I FEEL THAT. 823 00:18:11,267 --> 00:18:12,833 AND ON ANOTHER NOTE 824 00:18:12,833 --> 00:18:13,833 'CAUSE I KNOW I LOVE YOU, 825 00:18:13,833 --> 00:18:14,667 YOU LOVE ME, 826 00:18:14,667 --> 00:18:16,167 AND WE KEEP IT REAL. 827 00:18:16,167 --> 00:18:16,900 YOU FEEL ME. 828 00:18:16,900 --> 00:18:20,133 IS YOU STILL GONNA LOOK OUT 829 00:18:20,133 --> 00:18:21,800 FOR ME ON THAT CHILD SUPPORT 830 00:18:21,800 --> 00:18:23,333 PAPERWORK? 831 00:18:23,333 --> 00:18:24,867 HIS TIMING IS HORRIBLE. 832 00:18:24,867 --> 00:18:26,200 SCRAPPY JUST HAS BAD TIMING 833 00:18:26,200 --> 00:18:27,167 ALL THE WAY AROUND, 834 00:18:27,167 --> 00:18:27,833 BECAUSE I JUST SIT HERE 835 00:18:27,833 --> 00:18:29,067 AND TOLD, YOU KNOW, TOLD YOU, 836 00:18:29,067 --> 00:18:30,167 LIKE, THAT CHAPTER OF MY LIFE 837 00:18:30,167 --> 00:18:31,100 IS CLOSED, AND THEN YOU LIKE, 838 00:18:31,100 --> 00:18:32,100 "OH, OKAY, WELL, 839 00:18:32,100 --> 00:18:33,833 ONE THING BEFORE I LEAVE. 840 00:18:33,833 --> 00:18:34,500 YOU GONNA TAKE ME OFF 841 00:18:34,500 --> 00:18:36,467 CHILD SUPPORT?" 842 00:18:36,467 --> 00:18:37,833 YEAH, I SAID I WOULD DO-- 843 00:18:37,833 --> 00:18:38,500 THAT WAS THEN. 844 00:18:38,500 --> 00:18:40,100 THAT WAS BEFORE I ASKED YOU-- 845 00:18:40,100 --> 00:18:41,567 I SAID, "JUST GIVE ME SOMETHING 846 00:18:41,567 --> 00:18:42,633 TO PUT UP FOR EMANI." 847 00:18:42,633 --> 00:18:43,633 THAT'S ALL I ASKED YOU TO DO 848 00:18:43,633 --> 00:18:44,467 IS GIVE ME SOMETHING TO PUT UP 849 00:18:44,467 --> 00:18:45,133 FOR EMANI. 850 00:18:45,133 --> 00:18:45,800 WHAT YOU MEAN, 851 00:18:45,800 --> 00:18:46,467 PUT UP FOR EMANI? 852 00:18:46,467 --> 00:18:47,467 I SHOWED YOU THE MONEY 853 00:18:47,467 --> 00:18:48,167 I PUT UP FOR HER. 854 00:18:48,167 --> 00:18:49,333 SHE HAS TWO SEPARATE ACCOUNTS 855 00:18:49,333 --> 00:18:50,100 AND I SHOWED YOU THAT. 856 00:18:50,100 --> 00:18:50,767 AND I SAID, 857 00:18:50,767 --> 00:18:51,533 "WELL, WHAT YOU GOT GOING?" 858 00:18:51,533 --> 00:18:52,467 YOU WAS LIKE, "WELL, I KNOW 859 00:18:52,467 --> 00:18:53,567 I DON'T HAVE ANYTHING. 860 00:18:53,567 --> 00:18:54,467 I'MA DO THIS; I'MA DO THAT." 861 00:18:54,467 --> 00:18:55,133 I'M LIKE, "OKAY, WELL, 862 00:18:55,133 --> 00:18:56,367 LET ME SEE BECAUSE WE KNOW 863 00:18:56,367 --> 00:18:57,333 WHAT HAPPENED THE LAST TIME--" 864 00:18:57,333 --> 00:18:58,067 BUT I TAKE CARE OF 865 00:18:58,067 --> 00:18:58,833 MY DAUGHTER THOUGH. 866 00:18:58,833 --> 00:18:59,867 JUST 'CAUSE I DIDN'T DO IT 867 00:18:59,867 --> 00:19:01,500 THIS TIME--YOUR WAY, 868 00:19:01,500 --> 00:19:02,433 WHEN YOU WANTED TO DO IT. 869 00:19:02,433 --> 00:19:03,467 THAT'S NOT WHAT I'M SAYING. 870 00:19:03,467 --> 00:19:04,333 'CAUSE I CAN STILL DO IT 871 00:19:04,333 --> 00:19:05,167 TOMORROW. 872 00:19:05,167 --> 00:19:06,333 WELL, I TEXTED YOU LAST WEEK 873 00:19:06,333 --> 00:19:07,867 AND I ASKED YOU FOR SOME MONEY, 874 00:19:07,867 --> 00:19:08,633 AND I STILL HAVE YET 875 00:19:08,633 --> 00:19:09,533 TO RECEIVE IT. 876 00:19:09,533 --> 00:19:11,067 I DIDN'T GET AROUND TO IT. 877 00:19:11,067 --> 00:19:11,867 I WAS GONE A LOT. 878 00:19:11,867 --> 00:19:12,533 IS THAT REALLY IT? 879 00:19:12,533 --> 00:19:13,200 YOU JUST DIDN'T 880 00:19:13,200 --> 00:19:13,867 GET AROUND TO IT? 881 00:19:13,867 --> 00:19:14,533 YEAH. 882 00:19:14,533 --> 00:19:15,200 OH, OKAY. 883 00:19:15,200 --> 00:19:16,367 I JUST WANT YOU TO UNDERSTAND 884 00:19:16,367 --> 00:19:17,600 WHAT YOU SAYING, AND I WANT TO 885 00:19:17,600 --> 00:19:18,400 UNDERSTAND WHAT YOU SAYING. 886 00:19:18,400 --> 00:19:19,067 YOU FEEL ME? 887 00:19:19,067 --> 00:19:19,900 I'M SAYING I'M NOT GONNA 888 00:19:19,900 --> 00:19:20,667 TAKE YOU OFF CHILD SUPPORT, 889 00:19:20,667 --> 00:19:22,067 BECAUSE WHEN I'VE ASKED YOU TO 890 00:19:22,067 --> 00:19:23,633 DO THINGS FOR EMANI IN THE PAST, 891 00:19:23,633 --> 00:19:24,933 YOU HAVEN'T DONE IT. 892 00:19:24,933 --> 00:19:26,567 NO, I PUT ON THE [bleep]. 893 00:19:26,567 --> 00:19:27,900 YOU FEEL ME? 894 00:19:27,900 --> 00:19:29,167 Y'ALL GOT ME ALL [bleep] UP. 895 00:19:29,167 --> 00:19:31,167 BE SAFE. 896 00:19:31,800 --> 00:19:35,067 * YEAH 897 00:19:35,067 --> 00:19:36,433 ♪ SO WE FIGHTIN', [...] ♪ 898 00:19:36,433 --> 00:19:38,433 ♪ NOW WE LOVIN', NOW WE LOVIN' ♪ 899 00:19:38,433 --> 00:19:39,833 ♪ IN THE A.M., BABY 900 00:19:39,833 --> 00:19:41,067 ♪ WE'LL BE NOTHING ♪ 901 00:19:41,067 --> 00:19:42,800 ♪ EMOTIONS ARE RUNNING 902 00:19:42,800 --> 00:19:44,367 ♪ DEPRESSION IS COMING 903 00:19:44,367 --> 00:19:45,867 ♪ CAN'T BELIEVE YOU LOVE ME ♪ 904 00:19:45,867 --> 00:19:46,633 ♪ 'CAUSE YOUR FEELINGS ♪ 905 00:19:46,633 --> 00:19:47,600 ♪ ARE FUNNY 906 00:19:47,600 --> 00:19:48,467 * I'M SO TIRED ♪ 907 00:19:48,467 --> 00:19:49,767 ♪ OF GOING UP AND DOWN 908 00:19:49,767 --> 00:19:51,067 ♪ ROUND AND ROUND 909 00:19:51,067 --> 00:19:52,667 ♪ I'M SO OVER IT ♪ 910 00:19:52,667 --> 00:19:54,333 ♪ I'M BREAKING DOWN ♪ 911 00:19:54,333 --> 00:19:55,733 ♪ I'M 'BOUT TO CALL IT QUITS ♪ 912 00:19:55,733 --> 00:19:57,667 ♪ I DONE HAD ENOUGH OF IT 913 00:19:57,667 --> 00:19:59,067 ♪ MY HEART IS SO COLD 914 00:19:59,067 --> 00:20:01,033 ♪ I CAN'T FIND NO LOVE HERE ♪ 915 00:20:07,800 --> 00:20:09,100 LET'S TOAST TO ME 916 00:20:09,100 --> 00:20:10,067 REALLY APPRECIATING 917 00:20:10,067 --> 00:20:11,000 YOU COMING OUT TONIGHT 918 00:20:11,000 --> 00:20:11,967 CONSIDERING IT'S MY HOUSE 919 00:20:11,967 --> 00:20:13,000 AND IT'S OUR FIRST DATE. 920 00:20:13,000 --> 00:20:15,167 ABSOLUTELY. 921 00:20:15,167 --> 00:20:16,167 I GOT NO PROBLEM 922 00:20:16,167 --> 00:20:17,800 LOOKING IN YOUR EYES. 923 00:20:17,800 --> 00:20:19,633 TRUST ME. 924 00:20:19,633 --> 00:20:20,933 YOU ARE ABSOLUTELY AMAZING 925 00:20:20,933 --> 00:20:21,600 THOUGH. 926 00:20:21,600 --> 00:20:22,333 THANK YOU. 927 00:20:22,333 --> 00:20:23,733 WHEN I WALKED INTO BENZINO'S 928 00:20:23,733 --> 00:20:25,600 HOUSE, IT WAS SO ROMANTIC. 929 00:20:25,600 --> 00:20:27,467 BENZINO JUST--HE KNEW... 930 00:20:27,467 --> 00:20:28,833 HE KNEW WHAT TO DO. 931 00:20:28,833 --> 00:20:30,533 HE HAS A CANDLELIGHT DINNER, 932 00:20:30,533 --> 00:20:32,633 WHICH HE COOKED HIMSELF. 933 00:20:32,633 --> 00:20:35,333 LOVE IS DEFINITELY IN THE AIR. 934 00:20:35,333 --> 00:20:36,900 ARE YOU DATING A BUNCH OF WOMEN 935 00:20:36,900 --> 00:20:37,567 RIGHT NOW? 936 00:20:37,567 --> 00:20:39,733 NO, BECAUSE, YOU KNOW, 937 00:20:39,733 --> 00:20:40,700 I DON'T WANT TO GO THROUGH THAT 938 00:20:40,700 --> 00:20:41,367 ANYMORE. 939 00:20:41,367 --> 00:20:42,700 I WANT BE A-- 940 00:20:42,700 --> 00:20:44,267 I WANT TO BE A ONE-WOMAN GUY. 941 00:20:44,267 --> 00:20:44,933 I KNOW I COULD BE. 942 00:20:44,933 --> 00:20:45,733 YOU THINK SO? 943 00:20:45,733 --> 00:20:47,133 OF COURSE, COME ON. 944 00:20:47,133 --> 00:20:47,867 LIKE, LOOK AT YOU. 945 00:20:47,867 --> 00:20:48,533 LOOK AT HOW BEAUTI-- 946 00:20:48,533 --> 00:20:49,667 HOW COME YOU AIN'T GOT A MAN? 947 00:20:49,667 --> 00:20:51,400 [laughs] 948 00:20:51,400 --> 00:20:53,767 WELL, I WAS SEEING SOMEONE 949 00:20:53,767 --> 00:20:56,967 AND IT DIDN'T WORK OUT. 950 00:20:56,967 --> 00:20:57,800 HOW COME? 951 00:20:57,800 --> 00:20:59,400 FOR ME, I DIDN'T FEEL LIKE 952 00:20:59,400 --> 00:21:01,067 HE WAS SUPPORTIVE OF MY CAREER. 953 00:21:01,067 --> 00:21:03,367 ANTONIO AND I--OUR CONVERSATION, 954 00:21:03,367 --> 00:21:05,167 IT JUST--IT WOULDN'T MATCH UP. 955 00:21:05,167 --> 00:21:06,567 I NEED SOMEONE TO SAY, "OKAY, 956 00:21:06,567 --> 00:21:08,700 YOU KNOW WHAT, I GOT YOUR BACK. 957 00:21:08,700 --> 00:21:10,333 LET'S BUILD AN EMPIRE TOGETHER." 958 00:21:10,333 --> 00:21:11,500 THAT'S WHAT I'M ABOUT. 959 00:21:11,500 --> 00:21:13,067 SO WHAT ARE YOU DOING OUT HERE 960 00:21:13,067 --> 00:21:13,933 IN ATLANTA? 961 00:21:13,933 --> 00:21:15,367 STARTING A NEW MAGAZINE 962 00:21:15,367 --> 00:21:16,733 CALLED HIP-HOP WEEKLY. 963 00:21:16,733 --> 00:21:17,933 HOW'S THAT GOING? 964 00:21:17,933 --> 00:21:18,933 REALLY WELL, THANK YOU. 965 00:21:18,933 --> 00:21:19,667 REALLY? 966 00:21:19,667 --> 00:21:20,867 YOU KNOW, I BEEN THROUGH 967 00:21:20,867 --> 00:21:22,067 A LOT, YOU KNOW, AS FAR AS, 968 00:21:22,067 --> 00:21:23,100 LIKE, THE INDUSTRY GOES. 969 00:21:23,100 --> 00:21:24,100 TELL EM ABOUT IT. 970 00:21:24,100 --> 00:21:25,567 I DID A LITTLE RESEARCH ON YOU. 971 00:21:25,567 --> 00:21:26,233 FOR REAL? 972 00:21:26,233 --> 00:21:27,400 YEAH, THE FEEDBACK-- 973 00:21:27,400 --> 00:21:30,133 IT WAS NOT GREAT, BUT I'M LIKE, 974 00:21:30,133 --> 00:21:31,400 YOU JUST SEEMED LIKE SUCH 975 00:21:31,400 --> 00:21:32,467 A NICE GUY. 976 00:21:32,467 --> 00:21:33,433 I MEAN, I WAS RAISED WELL, 977 00:21:33,433 --> 00:21:34,367 YOU KNOW. 978 00:21:34,367 --> 00:21:35,267 LIKE MY MOTHER AND FATHER, 979 00:21:35,267 --> 00:21:36,267 YOU KNOW, TAUGHT ME WELL 980 00:21:36,267 --> 00:21:37,500 AS FAR AS MORALS AND, 981 00:21:37,500 --> 00:21:38,200 YOU KNOW WHAT I'M SAYING, 982 00:21:38,200 --> 00:21:39,100 VALUES. 983 00:21:39,100 --> 00:21:39,767 YEAH. 984 00:21:39,767 --> 00:21:40,633 YOU KNOW, YOU SIT DOWN, 985 00:21:40,633 --> 00:21:42,067 YOU GET TO KNOW SOMEBODY, 986 00:21:42,067 --> 00:21:43,633 HAVE A CONVERSATION WITH THEM, 987 00:21:43,633 --> 00:21:44,467 GO OUT WITH THEM, 988 00:21:44,467 --> 00:21:45,567 AND THEN, YOU KNOW, 989 00:21:45,567 --> 00:21:46,733 THEN YOU CAN DECIDE 990 00:21:46,733 --> 00:21:48,133 IF YOU LIKE THAT PERSON A LOT. 991 00:21:48,133 --> 00:21:49,100 ABSOLUTELY. 992 00:21:49,100 --> 00:21:50,100 I MEAN, YOU'RE, LIKE, 993 00:21:50,100 --> 00:21:51,200 SUPER BEAUTIFUL. 994 00:21:51,200 --> 00:21:52,667 SO LIKE, WHEN I SEEN YOU, 995 00:21:52,667 --> 00:21:53,467 OF COURSE, YOU KNOW, 996 00:21:53,467 --> 00:21:54,733 THE ATTRACTION WAS THERE, 997 00:21:54,733 --> 00:21:55,433 BUT JUST TALKING TO YOU-- 998 00:21:55,433 --> 00:21:56,533 YOU'RE MAKING ME BLUSH. 999 00:21:56,533 --> 00:21:57,767 NO, BUT IT'S VERY SWEET 1000 00:21:57,767 --> 00:21:58,533 AND YOU'RE HUMBLE. 1001 00:21:58,533 --> 00:22:00,200 THANK YOU, I APPRECIATE THAT. 1002 00:22:00,200 --> 00:22:01,533 AND I'M PROBABLY MORE NERVOUS 1003 00:22:01,533 --> 00:22:03,067 DEFINITELY SITTING HERE. 1004 00:22:03,067 --> 00:22:03,833 TRUST ME. 1005 00:22:03,833 --> 00:22:05,400 [laughs] 1006 00:22:05,400 --> 00:22:06,400 TRUTH, YEAH. 1007 00:22:06,400 --> 00:22:07,300 HOW DO I KNOW YOU'RE NOT 1008 00:22:07,300 --> 00:22:08,333 RUNNING GAME? 1009 00:22:08,333 --> 00:22:09,900 HONESTLY, LIKE, EVER SINCE, 1010 00:22:09,900 --> 00:22:11,067 YOU KNOW, THAT DAY 1011 00:22:11,067 --> 00:22:11,700 WHEN I MET YOU, 1012 00:22:11,700 --> 00:22:13,067 I JUST--I CAN'T STOP THINKING 1013 00:22:13,067 --> 00:22:13,833 ABOUT YOU. 1014 00:22:13,833 --> 00:22:15,833 THAT'S CRAZY BECAUSE EVER 1015 00:22:15,833 --> 00:22:17,267 SINCE I MET YOU, 1016 00:22:17,267 --> 00:22:18,900 YOU'VE BEEN ON MY MIND. 1017 00:22:18,900 --> 00:22:20,767 THAT'S GOOD. 1018 00:22:20,767 --> 00:22:23,133 SO I CAN SEE YOU A LOT? 1019 00:22:23,133 --> 00:22:24,767 ABSOLUTELY. 1020 00:22:24,767 --> 00:22:25,933 LIKE, I HAVEN'T FELT THIS WAY 1021 00:22:25,933 --> 00:22:28,467 IN A LONG TIME. 1022 00:22:28,467 --> 00:22:29,600 I'M LOVING THE FACT THAT 1023 00:22:29,600 --> 00:22:32,800 A MAN FEELS LIKE I'M THE ONE 1024 00:22:32,800 --> 00:22:33,500 FOR HIM. 1025 00:22:33,500 --> 00:22:35,233 THAT'S A GOOD FEELING. 1026 00:22:35,233 --> 00:22:36,167 I REMEMBER YOU SAID THAT 1027 00:22:36,167 --> 00:22:38,867 YOU LIKED FILMMAKING 1028 00:22:38,867 --> 00:22:39,567 AND DIRECTING. 1029 00:22:39,567 --> 00:22:41,333 SO I GOT--IT'S A BOOK. 1030 00:22:41,333 --> 00:22:43,100 IT'S CALLED THE FILM BOOK: 1031 00:22:43,100 --> 00:22:44,133 THE COMPLETE GUIDE 1032 00:22:44,133 --> 00:22:45,267 TO THE WORLD OF CINEMA. 1033 00:22:45,267 --> 00:22:45,933 WOW. 1034 00:22:45,933 --> 00:22:48,700 OKAY, AND SOME GODIVAS. 1035 00:22:48,700 --> 00:22:50,267 YOU DID NOT HAVE TO. 1036 00:22:50,267 --> 00:22:51,600 IT'S JUST A LITTLE SOMETHING 1037 00:22:51,600 --> 00:22:52,633 DEFINITELY. 1038 00:22:52,633 --> 00:22:54,800 THANK YOU. 1039 00:22:54,800 --> 00:22:56,467 *SOMETIMES WE FALL ♪ 1040 00:23:04,533 --> 00:23:08,367 ♪ I FOUND MY ANGEL 1041 00:23:08,367 --> 00:23:09,200 ♪ 1042 00:23:09,200 --> 00:23:10,867 SO... 1043 00:23:10,867 --> 00:23:14,200 * I FOUND MY ANGEL 1044 00:23:18,467 --> 00:23:19,600 HEY, HEY, HEY. 1045 00:23:19,600 --> 00:23:20,267 HEY. 1046 00:23:20,267 --> 00:23:21,067 LOOK AT YOU, HONEY. 1047 00:23:21,067 --> 00:23:21,833 HOW YOU DOING? 1048 00:23:21,833 --> 00:23:25,200 GIRL, I WISH I COULD SAY 1049 00:23:25,200 --> 00:23:26,400 GOOD. 1050 00:23:26,400 --> 00:23:27,567 WHAT'S GOING ON? 1051 00:23:27,567 --> 00:23:28,467 I DECIDED TO INVITE 1052 00:23:28,467 --> 00:23:29,567 K.MICHELLE OUT 'CAUSE I WANTED 1053 00:23:29,567 --> 00:23:30,500 TO TALK TO HER ABOUT 1054 00:23:30,500 --> 00:23:31,567 A FEW THINGS THAT WAS GOING ON 1055 00:23:31,567 --> 00:23:32,233 WITH ME AND KIRK. 1056 00:23:32,233 --> 00:23:33,600 I REALLY DON'T WANT TO CONTINUE 1057 00:23:33,600 --> 00:23:35,467 TO ARGUE WITH HIM ALL THE TIME. 1058 00:23:35,467 --> 00:23:36,400 I WANT US TO GET ON 1059 00:23:36,400 --> 00:23:37,200 A COMMON GROUND. 1060 00:23:37,200 --> 00:23:38,767 SO THERE'S A COUPLE THINGS 1061 00:23:38,767 --> 00:23:40,333 I THINK I NEED TO THINK ABOUT. 1062 00:23:40,333 --> 00:23:41,500 ME AND KIRK HAVE BEEN GOING 1063 00:23:41,500 --> 00:23:43,400 THROUGH SO MUCH. 1064 00:23:43,400 --> 00:23:44,767 WHEN WE TALKING ABOUT BUSINESS, 1065 00:23:44,767 --> 00:23:45,900 IT'S JUST STRAIGHT, 1066 00:23:45,900 --> 00:23:46,933 "BLAH, BLAH, BLAH, BLAH, BLAH." 1067 00:23:46,933 --> 00:23:48,133 JUST GOING HAM ON EACH OTHER. 1068 00:23:48,133 --> 00:23:48,867 THERE'S BEEN A LOT OF 1069 00:23:48,867 --> 00:23:49,533 BACK AND FORTH. 1070 00:23:49,533 --> 00:23:50,433 A LOT OF BACK AND FORTH. 1071 00:23:50,433 --> 00:23:51,733 LIKE, HE CAME AT ME WITH THIS 1072 00:23:51,733 --> 00:23:52,733 IDEA LIKE, "I WANT TO DO 1073 00:23:52,733 --> 00:23:53,500 THIS LAUNCH PARTY. 1074 00:23:53,500 --> 00:23:54,200 I WANT SOME HEAVY HITTERS 1075 00:23:54,200 --> 00:23:54,867 TO COME." 1076 00:23:54,867 --> 00:23:56,233 BUT I GET THERE AND IT'S LIKE 1077 00:23:56,233 --> 00:23:58,933 HALF-ASS. 1078 00:23:58,933 --> 00:24:00,167 SEE, I DON'T KNOW WHAT YOU 1079 00:24:00,167 --> 00:24:01,933 WANTED OR I DON'T KNOW 1080 00:24:01,933 --> 00:24:02,600 WHAT IT MIGHT HAVE BEEN. 1081 00:24:02,600 --> 00:24:03,767 I JUST WANTED WHAT I WAS 1082 00:24:03,767 --> 00:24:05,067 TOLD: THAT THERE WAS GONNA BE 1083 00:24:05,067 --> 00:24:05,967 KEY PEOPLE THERE. 1084 00:24:05,967 --> 00:24:07,400 YOU KNOW, IT CAN'T BE JUST 1085 00:24:07,400 --> 00:24:08,433 ME AND HIM 1086 00:24:08,433 --> 00:24:09,400 TRYING TO MAKE MY CAREER. 1087 00:24:09,400 --> 00:24:10,067 YOU NEED A TEAM. 1088 00:24:10,067 --> 00:24:11,200 I NEED A TEAM. 1089 00:24:11,200 --> 00:24:14,300 SO I'M GOING TO HAVE A MEETING 1090 00:24:14,300 --> 00:24:16,167 WITH OUTSIDE MANAGEMENT. 1091 00:24:16,167 --> 00:24:18,533 OOH, OH. 1092 00:24:18,533 --> 00:24:19,600 I'M JUST TAKING A MEETING. 1093 00:24:19,600 --> 00:24:20,367 ARE YOU TELLING HIM 1094 00:24:20,367 --> 00:24:21,167 YOU GOING, THOUGH? 1095 00:24:21,167 --> 00:24:22,800 NOT UNTIL AFTER THE FACT. 1096 00:24:22,800 --> 00:24:24,233 I WANT TO DO THIS 1097 00:24:24,233 --> 00:24:26,767 FOR THE BETTER OF US PERSONALLY, 1098 00:24:26,767 --> 00:24:27,833 BECAUSE RIGHT NOW, GIRL, 1099 00:24:27,833 --> 00:24:28,867 WHEN I TELL YOU THE PLACE 1100 00:24:28,867 --> 00:24:30,100 WE AT--I'M TALKING ABOUT 1101 00:24:30,100 --> 00:24:32,433 WE GOING IN EVERY OTHER DAY. 1102 00:24:32,433 --> 00:24:33,400 AND I'M LIKE, "YOU KNOW WHAT? 1103 00:24:33,400 --> 00:24:34,500 TO SAVE MY MARRIAGE, 1104 00:24:34,500 --> 00:24:35,433 GOD DAMN IT, LET ME GO 1105 00:24:35,433 --> 00:24:37,067 TALK TO SOMEBODY ELSE." 1106 00:24:37,067 --> 00:24:38,200 RASHEEDA IS SO BLESSED 1107 00:24:38,200 --> 00:24:40,467 TO HAVE A BEAUTIFUL FAMILY, 1108 00:24:40,467 --> 00:24:42,100 A HUSBAND THAT LOVES HER. 1109 00:24:42,100 --> 00:24:43,300 I WOULD REALLY HATE FOR HER 1110 00:24:43,300 --> 00:24:44,767 TO MESS THAT ALL UP 1111 00:24:44,767 --> 00:24:47,100 TO BE A PART OF THIS DIRTY 1112 00:24:47,100 --> 00:24:48,500 TRIFLING MUSIC INDUSTRY. 1113 00:24:48,500 --> 00:24:49,667 THAT IS A BEAUTIFUL THING 1114 00:24:49,667 --> 00:24:51,900 TO HAVE SOMEBODY THAT ALWAYS 1115 00:24:51,900 --> 00:24:53,700 IS GONNA CARE. 1116 00:24:53,700 --> 00:24:55,600 LIKE, I DATE MEN. 1117 00:24:55,600 --> 00:24:57,133 MEN COME, THEY GO. 1118 00:24:57,133 --> 00:24:57,933 WHEN IT COMES TO 1119 00:24:57,933 --> 00:24:59,067 A RELATIONSHIP, 1120 00:24:59,067 --> 00:25:00,533 WHAT DO YOU WANT? 1121 00:25:00,533 --> 00:25:02,067 I WANT A MAN THAT I WANT 1122 00:25:02,067 --> 00:25:03,833 MY CHILD TO GROW UP LIKE. 1123 00:25:03,833 --> 00:25:06,167 I WANT TO LOVE AGAIN. 1124 00:25:06,167 --> 00:25:07,700 I JUST WANT TO BE HAPPY 1125 00:25:07,700 --> 00:25:08,400 WITH THAT MAN, YOU KNOW 1126 00:25:08,400 --> 00:25:09,167 WHAT I'M SAYING? 1127 00:25:09,167 --> 00:25:10,400 IT COMES A POINT IN TIME 1128 00:25:10,400 --> 00:25:11,867 WHERE YOU DESERVE 1129 00:25:11,867 --> 00:25:12,833 ALL OF THE THINGS THAT 1130 00:25:12,833 --> 00:25:13,900 YOU WANT, 1131 00:25:13,900 --> 00:25:15,467 AND NOW IS THE TIME TO START 1132 00:25:15,467 --> 00:25:16,767 WORKING AT THOSE THINGS. 1133 00:25:16,767 --> 00:25:18,500 I'M TRYING TO FIGURE IT OUT. 1134 00:25:18,500 --> 00:25:19,900 IT'S HARD TO DEAL WITH YOURSELF. 1135 00:25:19,900 --> 00:25:21,067 THERE YOU GO. 1136 00:25:21,067 --> 00:25:24,500 BUT YOU LOVE THAT HUSBAND. 1137 00:25:24,500 --> 00:25:25,933 I DO. 1138 00:25:25,933 --> 00:25:26,967 AND YOUR CAREER? 1139 00:25:26,967 --> 00:25:27,700 AND THERE'S BATTLES 1140 00:25:27,700 --> 00:25:29,333 ON EACH SIDE, ON ALL-- 1141 00:25:29,333 --> 00:25:30,733 IN LIFE, PERIOD, GIRL. 1142 00:25:30,733 --> 00:25:31,600 LORD JESUS, 1143 00:25:31,600 --> 00:25:33,100 WE GONNA GET PAST IT. 1144 00:25:33,100 --> 00:25:33,900 [laughter] 1145 00:25:33,900 --> 00:25:36,233 WE GONNA GET THERE. 1146 00:25:36,233 --> 00:25:38,100 THE REASON WHY I'M EVEN HERE 1147 00:25:38,100 --> 00:25:39,367 IS BECAUSE I'M DEFINITELY 1148 00:25:39,367 --> 00:25:42,167 LOOKING TO TAKE MY CAREER 1149 00:25:42,167 --> 00:25:43,433 TO ANOTHER LEVEL. 1150 00:25:43,433 --> 00:25:44,533 YOU ARE NOT TAKING HIM 1151 00:25:44,533 --> 00:25:45,433 OFF CHILD SUPPORT. 1152 00:25:45,433 --> 00:25:46,500 HE IS GONNA DO 1153 00:25:46,500 --> 00:25:47,700 WHAT HE'S SUPPOSED TO DO 1154 00:25:47,700 --> 00:25:48,867 WHETHER HE DOES IT BY CHOICE 1155 00:25:48,867 --> 00:25:50,867 OR FORCE. 1156 00:25:52,200 --> 00:26:01,867 * SHE DON'T LOVE ME ♪ 1157 00:26:01,867 --> 00:26:02,700 [knocking] 1158 00:26:02,700 --> 00:26:03,600 HEY, RASHEEDA. 1159 00:26:03,600 --> 00:26:04,967 HEY, HONEY, HOW ARE YOU? 1160 00:26:04,967 --> 00:26:05,633 I'M GREAT. 1161 00:26:05,633 --> 00:26:06,600 GOOD TO SEE YOU AGAIN. 1162 00:26:06,600 --> 00:26:07,267 YOU TOO. 1163 00:26:07,267 --> 00:26:07,933 HOW YOU DOING? 1164 00:26:07,933 --> 00:26:08,700 RASHEEDA, NICE TO MEET YOU. 1165 00:26:08,700 --> 00:26:09,767 SHANTE, NICE TO MEET YOU. 1166 00:26:09,767 --> 00:26:10,633 JUDE BOY, YEAH, ALL RIGHT. 1167 00:26:10,633 --> 00:26:11,733 JUDE BOY, WHAT'S UP? 1168 00:26:11,733 --> 00:26:12,400 [laughs] 1169 00:26:12,400 --> 00:26:14,067 I GOT A MEETING WITH DEB ANTNEY 1170 00:26:14,067 --> 00:26:16,533 WHO IS AN AMAZING MANAGER. 1171 00:26:16,533 --> 00:26:17,667 SHE'S A BOSS IN THE GAME, 1172 00:26:17,667 --> 00:26:18,667 AND SHE COULD PROBABLY TAKE 1173 00:26:18,667 --> 00:26:20,300 MY CAREER TO THE NEXT LEVEL 1174 00:26:20,300 --> 00:26:21,733 IF IT ALL WORKS OUT. 1175 00:26:21,733 --> 00:26:22,633 WHAT'S GOING ON RIGHT NOW? 1176 00:26:22,633 --> 00:26:23,767 I MEAN, RIGHT NOW, 1177 00:26:23,767 --> 00:26:24,467 I'M INDEPENDENT, 1178 00:26:24,467 --> 00:26:25,867 AND I HAVE BEEN SINCE 1179 00:26:25,867 --> 00:26:27,367 THE JOB SITUATION. 1180 00:26:27,367 --> 00:26:29,200 CONSTANTLY PUTTING OUT MUSIC, 1181 00:26:29,200 --> 00:26:30,767 STAYING RELEVANT, 1182 00:26:30,767 --> 00:26:32,767 AND LOOKING TO DROP A NEW ALBUM, 1183 00:26:32,767 --> 00:26:33,933 WHICH IS THE REASON WHY 1184 00:26:33,933 --> 00:26:34,767 I'M EVEN HERE. 1185 00:26:34,767 --> 00:26:36,633 IT'S BECAUSE I'M DEFINITELY 1186 00:26:36,633 --> 00:26:39,533 LOOKING TO TAKE MY CAREER 1187 00:26:39,533 --> 00:26:40,900 TO ANOTHER LEVEL. 1188 00:26:40,900 --> 00:26:43,067 I'M ALREADY AWARE THAT 1189 00:26:43,067 --> 00:26:46,067 THERE'S ONE, TWO, THREE, 1190 00:26:46,067 --> 00:26:47,933 FOUR LABELS INVOLVED. 1191 00:26:47,933 --> 00:26:49,233 WHAT FOUR LABELS YOU GOT? 1192 00:26:49,233 --> 00:26:50,833 SO I HAVE D-LO MUSIC, 1193 00:26:50,833 --> 00:26:52,233 MOTOWN, JIVE RECORDS, 1194 00:26:52,233 --> 00:26:52,967 AND IMPERIAL, 1195 00:26:52,967 --> 00:26:54,733 BUT D-LO IS STILL IN PLACE. 1196 00:26:54,733 --> 00:26:55,400 CORRECT. 1197 00:26:55,400 --> 00:26:57,067 THAT'S MY BIGGEST QUESTION. 1198 00:26:57,067 --> 00:26:59,067 BECAUSE IF I DO ALL OF THESE 1199 00:26:59,067 --> 00:27:00,600 DEALS WITH ALL THESE PEOPLE, 1200 00:27:00,600 --> 00:27:02,667 THEN I GOT TO START QUESTIONING 1201 00:27:02,667 --> 00:27:03,700 MYSELF THEN. 1202 00:27:03,700 --> 00:27:04,400 OKAY, I AGREE, FINE. 1203 00:27:04,400 --> 00:27:05,067 YOU UNDERSTAND 1204 00:27:05,067 --> 00:27:05,733 WHAT I'M SAYING? 1205 00:27:05,733 --> 00:27:07,067 BECAUSE THIS PLACE HERE, 1206 00:27:07,067 --> 00:27:08,633 D-LO NEVER GOES NOWHERE. 1207 00:27:08,633 --> 00:27:13,067 D-LO IS MY HUSBAND, OKAY, 1208 00:27:13,067 --> 00:27:14,367 AND MY MANAGER. 1209 00:27:14,367 --> 00:27:16,533 WE GOT TO LOOK AT 1210 00:27:16,533 --> 00:27:17,433 THAT PICTURE. 1211 00:27:17,433 --> 00:27:19,067 WE GOT TO LOOK AT THAT. 1212 00:27:19,067 --> 00:27:20,867 I HAVE THOUGHT ABOUT 1213 00:27:20,867 --> 00:27:22,700 MY HUSBAND AND D-LO BEING 1214 00:27:22,700 --> 00:27:24,067 THE REASON WHY 1215 00:27:24,067 --> 00:27:25,167 I HAVEN'T EXCELLED. 1216 00:27:25,167 --> 00:27:26,700 THE ONLY THING ABOUT IT IS 1217 00:27:26,700 --> 00:27:28,367 I JUST DIDN'T WANT TO FACE THAT. 1218 00:27:28,367 --> 00:27:30,467 YOUR LOYALTY IS TO HIM FIRST. 1219 00:27:30,467 --> 00:27:32,067 IT'S NOT TO YOU. 1220 00:27:32,067 --> 00:27:33,233 THAT'S WHY YOUR CAREER 1221 00:27:33,233 --> 00:27:34,467 IS JUMPING ALL AROUND. 1222 00:27:34,467 --> 00:27:36,100 IN EVERYTHING THAT'S HERE, 1223 00:27:36,100 --> 00:27:37,367 IN EACH THING THAT YOU LOOK AT, 1224 00:27:37,367 --> 00:27:39,100 IN EACH THING THAT YOU READ, 1225 00:27:39,100 --> 00:27:40,167 D-LO STAYS THERE. 1226 00:27:40,167 --> 00:27:41,967 THAT'S YOUR COMMON DENOMINATOR 1227 00:27:41,967 --> 00:27:44,067 TO YOUR FAILURE-- 1228 00:27:44,067 --> 00:27:45,933 TO WHY YOU'RE NOT ON TOP. 1229 00:27:45,933 --> 00:27:47,733 THERE'S NO WAY WITH THE RAVE 1230 00:27:47,733 --> 00:27:48,567 THAT WAS DONE ON YOU 1231 00:27:48,567 --> 00:27:50,133 THAT I'VE READ 1232 00:27:50,133 --> 00:27:51,233 THAT YOU SHOULDN'T HAVE BEEN 1233 00:27:51,233 --> 00:27:51,900 TO THE ROOF. 1234 00:27:51,900 --> 00:27:52,767 YOU SHOULD'VE BEEN 1235 00:27:52,767 --> 00:27:54,933 GEORGIA'S PEACH FOR REAL. 1236 00:27:54,933 --> 00:27:56,467 YOU WAS THAT ONE. 1237 00:27:56,467 --> 00:27:57,700 I HAVE TO UNDERSTAND THAT, 1238 00:27:57,700 --> 00:27:58,367 YOU KNOW, WHEN YOU IN 1239 00:27:58,367 --> 00:27:59,733 THE SITUATION LIKE MINE 1240 00:27:59,733 --> 00:28:00,967 WHERE YOU HAVE SOMEBODY 1241 00:28:00,967 --> 00:28:03,767 WHO HAS PLAYED A MAJOR ROLE 1242 00:28:03,767 --> 00:28:05,400 IN YOUR CAREER, YOU KNOW, 1243 00:28:05,400 --> 00:28:06,833 AND THEN OF COURSE-- 1244 00:28:06,833 --> 00:28:07,667 BUT WHAT HAPPENS 1245 00:28:07,667 --> 00:28:08,900 TO YOUR ROLE? 1246 00:28:08,900 --> 00:28:09,733 WHAT HAPPENED TO THE ROLE 1247 00:28:09,733 --> 00:28:10,800 THAT RASHEEDA PLAYED? 1248 00:28:10,800 --> 00:28:13,067 YOU'RE THE TALENT, 1249 00:28:13,067 --> 00:28:13,867 AND THEY WOULDN'T BE 1250 00:28:13,867 --> 00:28:15,233 IN THAT ROOM WITHOUT YOU 1251 00:28:15,233 --> 00:28:16,067 AND THAT'S WHAT YOU HAVE TO 1252 00:28:16,067 --> 00:28:17,067 UNDERSTAND. 1253 00:28:17,067 --> 00:28:18,767 YOU HAVE TO REEVALUATE THIS. 1254 00:28:18,767 --> 00:28:20,567 I THINK IT SHOULD BE NOT A, 1255 00:28:20,567 --> 00:28:21,500 "THIS IS WHAT I REALLY WANT 1256 00:28:21,500 --> 00:28:23,767 TO DO," AS RASHEEDA THE ARTIST, 1257 00:28:23,767 --> 00:28:25,067 THE BOSS BITCH, 1258 00:28:25,067 --> 00:28:26,333 THE GEORGIA PEACH. 1259 00:28:26,333 --> 00:28:27,767 IT SHOULD BE, 1260 00:28:27,767 --> 00:28:29,600 "IS IT RASHEEDA THE WIFE, 1261 00:28:29,600 --> 00:28:35,067 THE HOMEMAKER, PLAYING GRANDMA? 1262 00:28:35,067 --> 00:28:36,067 IS THAT WHO I REALLY 1263 00:28:36,067 --> 00:28:38,400 WANT TO BE?" 1264 00:28:38,400 --> 00:28:39,467 AND YOU GOT TO HAVE THAT TALK 1265 00:28:39,467 --> 00:28:40,967 WITH D-LO. 1266 00:28:40,967 --> 00:28:42,367 THAT'S YOUR HUSBAND, 1267 00:28:42,367 --> 00:28:44,567 BUT YOU KNOW I MANAGE MY SON 1268 00:28:44,567 --> 00:28:47,333 AND WE GO THROUGH OUR THINGS. 1269 00:28:47,333 --> 00:28:49,933 AND IF HE LOVES YOU, 1270 00:28:49,933 --> 00:28:52,067 HE'LL UNDERSTAND ALL THAT. 1271 00:28:58,300 --> 00:28:59,567 ZINO, WHAT'S GOOD? 1272 00:28:59,567 --> 00:29:00,300 STEVIE. 1273 00:29:00,300 --> 00:29:02,267 YEAH, OH, BLOOD BRO. 1274 00:29:02,267 --> 00:29:03,633 HEY, THINGS ARE GOOD. 1275 00:29:03,633 --> 00:29:04,900 [both speaking simultaneously] 1276 00:29:04,900 --> 00:29:06,333 GOT YOU, YOU KNOW, 1277 00:29:06,333 --> 00:29:07,367 CIROC, BOY. 1278 00:29:07,367 --> 00:29:08,067 YOU KNOW WHAT I'M SAYING? 1279 00:29:08,067 --> 00:29:08,733 HEY. 1280 00:29:08,733 --> 00:29:09,400 COCOLOSO. 1281 00:29:09,400 --> 00:29:10,067 HEY. 1282 00:29:10,067 --> 00:29:11,667 I HAD TO GET WITH MY MAN ZINO, 1283 00:29:11,667 --> 00:29:12,567 YOU KNOW, TO TALK ABOUT HIM 1284 00:29:12,567 --> 00:29:13,233 AND KARLIE. 1285 00:29:13,233 --> 00:29:14,467 I HEAR HE'S FEELING HER. 1286 00:29:14,467 --> 00:29:16,433 THAT'S COOL, BUT YOU KNOW 1287 00:29:16,433 --> 00:29:17,467 I DON'T KNOW THOUGH. 1288 00:29:17,467 --> 00:29:18,867 HOLD UP, WHAT'S GOING ON 1289 00:29:18,867 --> 00:29:20,700 WITH YOU AND KARLIE? 1290 00:29:20,700 --> 00:29:22,133 CRAZY, YO. 1291 00:29:22,133 --> 00:29:22,967 MAN. 1292 00:29:22,967 --> 00:29:23,967 SHE CAME BY THE CRIB. 1293 00:29:23,967 --> 00:29:24,633 COOKED HER, YOU KNOW, 1294 00:29:24,633 --> 00:29:25,300 COOKED HER DINNER. 1295 00:29:25,300 --> 00:29:26,400 YOU COOKED? 1296 00:29:26,400 --> 00:29:27,300 YOU KNOW, I HAD THE LOBSTERS, 1297 00:29:27,300 --> 00:29:28,633 ASPARAGUS, OSCAR WITH 1298 00:29:28,633 --> 00:29:29,400 THE CRAB MEAT. 1299 00:29:29,400 --> 00:29:30,400 UH-OH, UH-OH. 1300 00:29:30,400 --> 00:29:31,600 THE HOMEMADE, YOU KNOW, 1301 00:29:31,600 --> 00:29:32,333 DRESSING AND STUFF 1302 00:29:32,333 --> 00:29:33,267 FOR THE SALAD. 1303 00:29:33,267 --> 00:29:33,933 YEAH, YEAH. 1304 00:29:33,933 --> 00:29:34,900 SO SHE CAME IN. 1305 00:29:34,900 --> 00:29:36,933 GORGEOUS, MAN, BEAUTIFUL DRESS. 1306 00:29:36,933 --> 00:29:38,467 SHE'S JUST HUMBLE. 1307 00:29:38,467 --> 00:29:39,700 LIKE, NO JOKE, SHE'S A REAL 1308 00:29:39,700 --> 00:29:40,733 HUMBLE PERSON. 1309 00:29:40,733 --> 00:29:41,400 SHE'S SMART. 1310 00:29:41,400 --> 00:29:42,200 SHE'S MOTIVATED. 1311 00:29:42,200 --> 00:29:42,900 YOU KNOW WHAT I'M SAYING, 1312 00:29:42,900 --> 00:29:44,167 I'M GONNA MEET HER FAMILY SOON. 1313 00:29:44,167 --> 00:29:44,833 OH, WOW. 1314 00:29:44,833 --> 00:29:45,500 YEAH. 1315 00:29:45,500 --> 00:29:46,200 OOH. 1316 00:29:46,200 --> 00:29:46,867 YEAH, YOU KNOW, WE SEE 1317 00:29:46,867 --> 00:29:47,533 WHERE IT TAKES US, 1318 00:29:47,533 --> 00:29:48,700 BUT SO FAR, MAN, EVERYTHING 1319 00:29:48,700 --> 00:29:50,333 IS, YOU KNOW WHAT I'M SAYING, 1320 00:29:50,333 --> 00:29:51,267 MUCHO BUENO. 1321 00:29:51,267 --> 00:29:51,933 YEAH. 1322 00:29:51,933 --> 00:29:52,900 IF KARLIE'S FOR ZINO, 1323 00:29:52,900 --> 00:29:53,767 THEN COOL. 1324 00:29:53,767 --> 00:29:54,700 YOU KNOW WHAT I'M SAYING, BUT 1325 00:29:54,700 --> 00:29:55,867 I NEED TO HOLLA AT HIM ABOUT 1326 00:29:55,867 --> 00:29:57,867 THIS MIMI AND JOSELINE BEEF. 1327 00:29:57,867 --> 00:29:58,700 YO, BUT, YOU KNOW, ALSO 1328 00:29:58,700 --> 00:29:59,767 ON ANOTHER NOTE, 1329 00:29:59,767 --> 00:30:01,067 YOU KNOW WHAT I'M SAYING, UM, 1330 00:30:01,067 --> 00:30:01,733 JOSELINE. 1331 00:30:01,733 --> 00:30:02,633 THE THING IS, LIKE, 1332 00:30:02,633 --> 00:30:04,233 SHE THREATENED BABY MOM. 1333 00:30:04,233 --> 00:30:06,433 SHE'S THREATENED BABY'S MOMS? 1334 00:30:06,433 --> 00:30:07,100 YEAH. 1335 00:30:07,100 --> 00:30:08,200 CAN'T HAVE THAT. 1336 00:30:08,200 --> 00:30:08,867 WE DON'T DO THAT, 1337 00:30:08,867 --> 00:30:09,567 YOU KNOW WHAT I'M SAYING? 1338 00:30:09,567 --> 00:30:10,300 SO I ADDRESSED IT. 1339 00:30:10,300 --> 00:30:11,067 SHE WANTED TO GO HAM, 1340 00:30:11,067 --> 00:30:12,233 SO I WALKED AWAY. 1341 00:30:12,233 --> 00:30:13,500 WHY WOULD SHE--WHY WOULD SHE 1342 00:30:13,500 --> 00:30:14,933 BE FLIPPING OUT AND SENDING 1343 00:30:14,933 --> 00:30:16,167 THREATS, LIKE, FOR WHAT? 1344 00:30:16,167 --> 00:30:17,267 ARE Y'ALL STILL [bleep] AROUND? 1345 00:30:17,267 --> 00:30:17,933 OCCASIONALLY, 1346 00:30:17,933 --> 00:30:19,333 I TAKE A DIP BACK, 1347 00:30:19,333 --> 00:30:20,267 YOU KNOW WHAT I'M SAYING? 1348 00:30:20,267 --> 00:30:21,700 IT'S THOSE DIPS THAT... 1349 00:30:21,700 --> 00:30:22,933 [laughs] 1350 00:30:22,933 --> 00:30:24,067 THAT'S THE PROBLEMS. 1351 00:30:24,067 --> 00:30:24,967 IT'S OVER THOUGH. 1352 00:30:24,967 --> 00:30:25,633 YOU SURE? 1353 00:30:25,633 --> 00:30:27,433 I'M POSITIVE. 1354 00:30:27,433 --> 00:30:28,767 IT AIN'T REALLY NO COMING BACK 1355 00:30:28,767 --> 00:30:29,433 FROM THAT LINE. 1356 00:30:29,433 --> 00:30:30,100 RIGHT, RIGHT. 1357 00:30:30,100 --> 00:30:30,867 YOU KNOW WHAT I'M SAYING, 1358 00:30:30,867 --> 00:30:32,733 SO IT'S LIKE WHEN YOU DISRESPECT 1359 00:30:32,733 --> 00:30:34,467 A MAN AND HIS FAMILY 1360 00:30:34,467 --> 00:30:35,467 AND ALL THAT, 1361 00:30:35,467 --> 00:30:36,200 YOU KNOW WHAT I'M SAYING-- 1362 00:30:36,200 --> 00:30:37,100 I ONLY KNOWN HER 1363 00:30:37,100 --> 00:30:38,067 FOR SO MANY MONTHS. 1364 00:30:38,067 --> 00:30:39,467 ANYWAYS. 1365 00:30:39,467 --> 00:30:40,133 RIGHT. 1366 00:30:40,133 --> 00:30:41,967 I'M NEVER GONNA LOSE MIMI 1367 00:30:41,967 --> 00:30:44,633 OVER JOSELINE, OVER HALLE BERRY, 1368 00:30:44,633 --> 00:30:46,433 JANET JACKSON. 1369 00:30:46,433 --> 00:30:47,733 I MIGHT DETERRED, BUT I AIN'T 1370 00:30:47,733 --> 00:30:49,367 NEVER LEAVING MY BABY. 1371 00:30:49,367 --> 00:30:50,433 HOW DO YOU PLAN ON 1372 00:30:50,433 --> 00:30:51,233 GETTING MIMI BACK? 1373 00:30:51,233 --> 00:30:52,200 I'M WORKING OUT A PLAN. 1374 00:30:52,200 --> 00:30:53,233 I DON'T REALLY FULLY HAVE 1375 00:30:53,233 --> 00:30:54,400 A FOOLPROOF PLAN. 1376 00:30:54,400 --> 00:30:55,067 I'M WORKING ON IT. 1377 00:30:55,067 --> 00:30:55,967 WELL, WHAT'S THE TEMPORARY 1378 00:30:55,967 --> 00:30:56,633 PLAN? 1379 00:30:56,633 --> 00:30:57,833 WHAT'S YOUR THOUGHTS? 1380 00:30:57,833 --> 00:30:58,633 I JUST WANT TO GET HER ALONE 1381 00:30:58,633 --> 00:30:59,300 WITH ME. 1382 00:30:59,300 --> 00:31:00,733 GET HER ALONE? 1383 00:31:00,733 --> 00:31:01,833 A-WHAT, ALONE? 1384 00:31:01,833 --> 00:31:02,500 WITH ME, YEAH. 1385 00:31:02,500 --> 00:31:03,167 WITH YOU. 1386 00:31:03,167 --> 00:31:03,833 JUST WATCH ME. 1387 00:31:03,833 --> 00:31:05,433 YOU GONNA LIKE THIS ONE. 1388 00:31:05,433 --> 00:31:06,400 T-THIS ONE? 1389 00:31:06,400 --> 00:31:07,467 IS SHE GONNA LIKE IT? 1390 00:31:07,467 --> 00:31:08,400 SHE'S GONNA LOVE IT. 1391 00:31:08,400 --> 00:31:09,367 [chuckles] 1392 00:31:09,367 --> 00:31:10,300 I'LL MAKE YOU PROUD. 1393 00:31:10,300 --> 00:31:10,967 YEAH? 1394 00:31:10,967 --> 00:31:12,200 YES. 1395 00:31:12,200 --> 00:31:12,867 A'IGHT. 1396 00:31:12,867 --> 00:31:13,833 TRUST THAT. 1397 00:31:13,833 --> 00:31:15,833 A'IGHT. 1398 00:31:16,700 --> 00:31:17,567 YOU ACT LIKE I JUST 1399 00:31:17,567 --> 00:31:18,500 WENT BEHIND YOUR BACK 1400 00:31:18,500 --> 00:31:19,367 AND DID THE ULTIMATE WORST. 1401 00:31:19,367 --> 00:31:21,233 I HAD A MEETING WITH SOMEBODY. 1402 00:31:21,233 --> 00:31:21,900 THAT IS IT. 1403 00:31:21,900 --> 00:31:22,867 SO BASICALLY I'M ABOUT 1404 00:31:22,867 --> 00:31:23,633 TO GET FIRED IS WHAT 1405 00:31:23,633 --> 00:31:25,633 YOU TELLING ME. 1406 00:31:35,067 --> 00:31:36,600 WHAT IS THE ROASTED 1407 00:31:36,600 --> 00:31:37,400 VEGETABLE? 1408 00:31:37,400 --> 00:31:38,500 IT'S NOT VEGETABLE. 1409 00:31:38,500 --> 00:31:39,167 WELL, YOU TRY AND THEN 1410 00:31:39,167 --> 00:31:40,600 YOU TELL ME HOW IT IS. 1411 00:31:40,600 --> 00:31:41,300 I'M MEETING MY MOTHER 1412 00:31:41,300 --> 00:31:42,933 FOR LUNCH SO WE CAN DISCUSS 1413 00:31:42,933 --> 00:31:43,933 WHAT'S GOING ON WITH ME 1414 00:31:43,933 --> 00:31:44,600 AND SCRAPPY. 1415 00:31:44,600 --> 00:31:45,667 SHE WAS ACTUALLY RIGHT 1416 00:31:45,667 --> 00:31:47,067 ALL ALONG ABOUT US. 1417 00:31:47,067 --> 00:31:47,833 HOW'S YOUR RELATIONSHIP-- 1418 00:31:47,833 --> 00:31:50,800 YOU AND SCRAP? 1419 00:31:50,800 --> 00:31:53,133 ALL OVER THE PLACE. 1420 00:31:53,133 --> 00:31:54,067 WHAT DOES THAT MEAN, 1421 00:31:54,067 --> 00:31:55,100 "ALL OVER THE PLACE?" 1422 00:31:55,100 --> 00:31:56,533 AND HE BASICALLY SAID 1423 00:31:56,533 --> 00:31:57,267 HE DIDN'T WANT TO BE WITH ME 1424 00:31:57,267 --> 00:31:58,167 ANYMORE. 1425 00:31:58,167 --> 00:31:59,233 HE HAD A MOVING TRUCK 1426 00:31:59,233 --> 00:32:00,067 IN MY DRIVEWAY, 1427 00:32:00,067 --> 00:32:00,767 AND HE WAS GETTING THE REST 1428 00:32:00,767 --> 00:32:01,667 OF HIS THINGS OUT THE HOUSE. 1429 00:32:01,667 --> 00:32:03,300 AND YOU KNOW, HE WANTED TO TALK 1430 00:32:03,300 --> 00:32:04,267 TO ME BEFORE HE LEFT. 1431 00:32:04,267 --> 00:32:04,933 AND HE WAS JUST SAYING, 1432 00:32:04,933 --> 00:32:06,067 YOU KNOW, "I KNOW IT'S ME. 1433 00:32:06,067 --> 00:32:07,067 I GOT SOME THINGS I NEED 1434 00:32:07,067 --> 00:32:07,700 TO WORK ON. 1435 00:32:07,700 --> 00:32:09,067 YOU KNOW, GET MY HEAD CLEAR," 1436 00:32:09,067 --> 00:32:10,533 AND HE WANTED TO BE COOL. 1437 00:32:10,533 --> 00:32:11,200 AND I WAS LIKE, 1438 00:32:11,200 --> 00:32:12,100 "THAT CHAPTER IN MY LIFE 1439 00:32:12,100 --> 00:32:13,200 IS CLOSED. 1440 00:32:13,200 --> 00:32:14,233 LIKE, YOU CAN'T BE WITH ME 1441 00:32:14,233 --> 00:32:15,667 WHEN YOU WANT TO BE WITH ME. 1442 00:32:15,667 --> 00:32:16,900 IT JUST DOESN'T WORK LIKE THAT." 1443 00:32:16,900 --> 00:32:17,567 I FELT LIKE 1444 00:32:17,567 --> 00:32:19,200 ONCE I TOLD HIM THAT 1445 00:32:19,200 --> 00:32:20,333 IT WAS LIKE, "OH, WELL, 1446 00:32:20,333 --> 00:32:21,633 BEFORE I LEAVE THEN, 1447 00:32:21,633 --> 00:32:22,300 YOU GONNA TAKE ME OFF 1448 00:32:22,300 --> 00:32:23,500 CHILD SUPPORT, RIGHT?" 1449 00:32:23,500 --> 00:32:26,667 I WAS LIKE, "UM...NO." 1450 00:32:26,667 --> 00:32:28,200 I THINK SCRAPPY'S TRYING 1451 00:32:28,200 --> 00:32:29,067 TO LINK THE CHILD SUPPORT 1452 00:32:29,067 --> 00:32:30,467 WITH ME AND HIM BEING TOGETHER. 1453 00:32:30,467 --> 00:32:31,400 "IF SHE NEEDS SOMETHING, LIKE, 1454 00:32:31,400 --> 00:32:32,100 SHE'LL, YOU KNOW, 1455 00:32:32,100 --> 00:32:32,933 HAVE TO CALL ME. 1456 00:32:32,933 --> 00:32:34,200 AND IF SHE CALLS ME 1457 00:32:34,200 --> 00:32:35,067 THEN IF I, YOU KNOW-- 1458 00:32:35,067 --> 00:32:35,900 SHE'LL HAVE TO MEET ME 1459 00:32:35,900 --> 00:32:36,900 OR HAVE TO SEE ME." 1460 00:32:36,900 --> 00:32:38,200 IT'S, YOU KNOW, KIND OF LIKE 1461 00:32:38,200 --> 00:32:39,133 A GAME TO HIM. 1462 00:32:39,133 --> 00:32:40,500 WHEN I ASKED HIM FOR SOME MONEY 1463 00:32:40,500 --> 00:32:41,567 PROBABLY ABOUT THREE WEEKS AGO, 1464 00:32:41,567 --> 00:32:42,233 HE WAS LIKE, 1465 00:32:42,233 --> 00:32:42,933 "OH, I'LL GIVE IT TO YOU. 1466 00:32:42,933 --> 00:32:43,600 YOU GONNA MEET WITH ME?" 1467 00:32:43,600 --> 00:32:44,267 AND I SAID, 1468 00:32:44,267 --> 00:32:45,167 "NO, YOU HAVE MY ACCOUNT NUMBER. 1469 00:32:45,167 --> 00:32:46,400 JUST IT IN MY ACCOUNT." 1470 00:32:46,400 --> 00:32:47,100 "OH, SO YOU DON'T 1471 00:32:47,100 --> 00:32:47,767 WANT TO SEE ME?" 1472 00:32:47,767 --> 00:32:49,067 "WHY DO I HAVE TO SEE YOU 1473 00:32:49,067 --> 00:32:50,200 FOR YOU TO GIVE ME MONEY 1474 00:32:50,200 --> 00:32:51,433 THAT I NEED FOR HER?" 1475 00:32:51,433 --> 00:32:52,567 I SAID, "AND THEN ON TOP 1476 00:32:52,567 --> 00:32:53,833 OF THAT, YOU'VE GOT ANOTHER 1477 00:32:53,833 --> 00:32:54,900 TWO LUMP SUMS OF CHECKS, 1478 00:32:54,900 --> 00:32:56,167 AND ALL I ASKED YOU TO DO 1479 00:32:56,167 --> 00:32:57,067 WAS PUT SOME MONEY UP 1480 00:32:57,067 --> 00:32:57,700 FOR HER FUTURE." 1481 00:32:57,700 --> 00:32:58,600 "WHAT, ALL OF A SUDDEN--I DON'T 1482 00:32:58,600 --> 00:32:59,500 HAVE TO SHOW YOU NOTHING. 1483 00:32:59,500 --> 00:33:00,367 I DON'T HAVE TO PROVE NOTHING 1484 00:33:00,367 --> 00:33:01,067 TO YOU." 1485 00:33:01,067 --> 00:33:01,700 "OH, THAT'S 'CAUSE 1486 00:33:01,700 --> 00:33:02,367 AIN'T DID IT." 1487 00:33:02,367 --> 00:33:03,367 OKAY, YOU KNOW WHAT? 1488 00:33:03,367 --> 00:33:04,200 HE DOESN'T HAVE TO SHOW IT 1489 00:33:04,200 --> 00:33:04,867 TO YOU. 1490 00:33:04,867 --> 00:33:05,633 HE'LL SHOW IT TO THE PEOPLE 1491 00:33:05,633 --> 00:33:06,300 DOWNTOWN. 1492 00:33:06,300 --> 00:33:07,400 HE DOESN'T HAVE TO SHOW YOU 1493 00:33:07,400 --> 00:33:08,067 ANYTHING. 1494 00:33:08,067 --> 00:33:09,067 HE'LL SHOW IT TO THEM. 1495 00:33:09,067 --> 00:33:10,133 YOU ARE NOT TAKING HIM 1496 00:33:10,133 --> 00:33:11,067 OFF CHILD SUPPORT. 1497 00:33:11,067 --> 00:33:12,300 HE IS GONNA DO 1498 00:33:12,300 --> 00:33:13,267 WHAT HE SUPPOSED TO DO 1499 00:33:13,267 --> 00:33:14,267 WHETHER HE DOES IT BY CHOICE 1500 00:33:14,267 --> 00:33:15,067 OR FORCE. 1501 00:33:15,067 --> 00:33:15,700 DON'T MAKE HIM-- 1502 00:33:15,700 --> 00:33:16,400 HE DON'T HAVE TO SHOW YOU 1503 00:33:16,400 --> 00:33:17,067 ANYTHING. 1504 00:33:17,067 --> 00:33:17,867 I WOULDN'T EVEN DEAL WITH HIM 1505 00:33:17,867 --> 00:33:18,533 LIKE THAT. 1506 00:33:18,533 --> 00:33:19,567 DON'T YOU HAVE A SOCIAL WORKER? 1507 00:33:19,567 --> 00:33:20,233 CALL HER. 1508 00:33:20,233 --> 00:33:21,633 HE IS NOT COMING OFF 1509 00:33:21,633 --> 00:33:22,633 CHILD SUPPORT. 1510 00:33:22,633 --> 00:33:24,633 NO WAY. 1511 00:33:31,300 --> 00:33:32,100 WELL, IT'S BEEN A COUPLE 1512 00:33:32,100 --> 00:33:33,600 OF DAYS NOW AND I'M STARTING 1513 00:33:33,600 --> 00:33:35,333 TO FEEL THIS COLD SHOULDER 1514 00:33:35,333 --> 00:33:36,567 FROM RASHEEDA, AND I'M FEELING 1515 00:33:36,567 --> 00:33:38,267 LIKE SOMETHING IS REALLY WRONG. 1516 00:33:38,267 --> 00:33:39,600 AND I'M TRYING TO FIGURE OUT 1517 00:33:39,600 --> 00:33:42,933 WHAT'S GOING ON. 1518 00:33:42,933 --> 00:33:45,067 YOU GOT A SECOND TO TALK? 1519 00:33:45,067 --> 00:33:46,900 UH, SURE DO. 1520 00:33:46,900 --> 00:33:48,700 WHAT I ULTIMATELY WOULD WANT 1521 00:33:48,700 --> 00:33:50,167 IS I WOULD WANT 1522 00:33:50,167 --> 00:33:51,567 KIRK AND SOMEONE ELSE 1523 00:33:51,567 --> 00:33:53,400 TO COME IN AND COMANAGE. 1524 00:33:53,400 --> 00:33:54,233 I REALLY THINK IT COULD WORK 1525 00:33:54,233 --> 00:33:54,900 FOR US. 1526 00:33:54,900 --> 00:33:57,267 I'M JUST CURIOUS IF HE'S OPEN 1527 00:33:57,267 --> 00:33:58,467 TO THAT AND IF HE'S WILLING 1528 00:33:58,467 --> 00:34:00,633 TO EVEN GIVE IT A TRY. 1529 00:34:00,633 --> 00:34:02,300 WHAT'S GOING ON? 1530 00:34:02,300 --> 00:34:04,333 I WENT AND TALKED TO DEB 1531 00:34:04,333 --> 00:34:06,833 FROM MIZAY WHO HAD NICKI MINAJ. 1532 00:34:06,833 --> 00:34:08,133 SHE KNOWS THE INDUSTRY. 1533 00:34:08,133 --> 00:34:09,800 HOLD UP, HOW DO YOU GO 1534 00:34:09,800 --> 00:34:12,167 HAVE A MEETING WITH DEB? 1535 00:34:12,167 --> 00:34:13,600 HOW DO YOU EVEN GO AROUND DOING 1536 00:34:13,600 --> 00:34:14,533 THAT WITHOUT TALKING TO ME? 1537 00:34:14,533 --> 00:34:15,300 I DIDN'T WANT TALK 1538 00:34:15,300 --> 00:34:15,967 TO YOU ABOUT IT. 1539 00:34:15,967 --> 00:34:17,400 I WANTED TO STEP OUT ON MY OWN, 1540 00:34:17,400 --> 00:34:18,467 AND I WANTED TO SPEAK TO 1541 00:34:18,467 --> 00:34:20,267 SOMEBODY WHO DOESN'T KNOW US, 1542 00:34:20,267 --> 00:34:21,633 WHO CAN GIVE ME AN INSIGHT 1543 00:34:21,633 --> 00:34:22,667 ON WHAT THEY SEE-- 1544 00:34:22,667 --> 00:34:23,900 WHAT'S GOING ON WITH RASHEEDA. 1545 00:34:23,900 --> 00:34:24,667 THERE'S A LOT GOING ON 1546 00:34:24,667 --> 00:34:25,333 WITH YOU. 1547 00:34:25,333 --> 00:34:26,600 YOU SEEM TO NEVER GET 1548 00:34:26,600 --> 00:34:27,433 WHAT'S GOING ON. 1549 00:34:27,433 --> 00:34:28,367 YOU'RE HERE. 1550 00:34:28,367 --> 00:34:29,367 YOU HAVE A NAME. 1551 00:34:29,367 --> 00:34:30,367 YOU HAVE MADE A FOUN-- 1552 00:34:30,367 --> 00:34:32,567 YOU HAVE BOSS CHICK MOVEMENT, 1553 00:34:32,567 --> 00:34:33,667 BOSS BIT--YOU GOT GIR-- 1554 00:34:33,667 --> 00:34:35,067 YOU GOT INDEPENDENT ALBUMS. 1555 00:34:35,067 --> 00:34:36,633 YOU GOT--EVERYTHING YOU BEEN 1556 00:34:36,633 --> 00:34:38,067 WANTING YOU GETTING. 1557 00:34:38,067 --> 00:34:39,233 YO, I BEEN DOWN WITH YOU SINCE 1558 00:34:39,233 --> 00:34:40,933 DAY ONE THROUGH THE TRENCHES 1559 00:34:40,933 --> 00:34:42,533 TO TODAY MAKING SURE 1560 00:34:42,533 --> 00:34:43,200 YOU'RE RELEVANT. 1561 00:34:43,200 --> 00:34:44,500 AND FOR YOU TO SAY THAT TO ME, 1562 00:34:44,500 --> 00:34:45,533 IT REALLY--IT PUTS ME 1563 00:34:45,533 --> 00:34:46,700 IN A REAL FUNNY PLACE. 1564 00:34:46,700 --> 00:34:48,067 LIKE, HOW COULD YOU EVEN 1565 00:34:48,067 --> 00:34:49,067 FIX YOUR MOUTH TO SAY 1566 00:34:49,067 --> 00:34:50,200 THESE WORDS? 1567 00:34:50,200 --> 00:34:51,400 SO WHAT DID YOU TALK ABOUT? 1568 00:34:51,400 --> 00:34:53,633 SHE WAS SAYING TO ME, "MAYBE 1569 00:34:53,633 --> 00:34:54,900 BECAUSE THINGS HAVEN'T EXCELLED, 1570 00:34:54,900 --> 00:34:57,067 D-LO MAY BE THE REASON. 1571 00:34:57,067 --> 00:34:58,667 IT MAY NEED TO BE SOME CHANGES 1572 00:34:58,667 --> 00:34:59,467 BROUGHT IN RIGHT THERE." 1573 00:34:59,467 --> 00:35:00,333 WHAT THE [bleep] WOULD YOU 1574 00:35:00,333 --> 00:35:01,133 GONNA LISTEN TO SOME [bleep] 1575 00:35:01,133 --> 00:35:01,800 LIKE THAT? 1576 00:35:01,800 --> 00:35:02,567 THAT [bleep] DIDN'T EVEN 1577 00:35:02,567 --> 00:35:03,233 BOTHER ME. 1578 00:35:03,233 --> 00:35:03,933 THIS [bleep] HAS PAID 1579 00:35:03,933 --> 00:35:04,900 YOUR BILLS. 1580 00:35:04,900 --> 00:35:06,067 YOU'RE [bleep] NOW, 1581 00:35:06,067 --> 00:35:07,833 BUT YOU'RE HERE NOW 1582 00:35:07,833 --> 00:35:09,600 BECAUSE I BELIEVED IN YOU. 1583 00:35:09,600 --> 00:35:11,800 I KNOW THAT. 1584 00:35:11,800 --> 00:35:12,867 EVERYBODY TALKS [bleep], 1585 00:35:12,867 --> 00:35:15,233 BUT THEY DO NOT [bleep] DELIVER. 1586 00:35:15,233 --> 00:35:17,100 YOU KNOW, YOU PISSED OFF NOW 1587 00:35:17,100 --> 00:35:18,400 BECAUSE YOU WANT TO SAY INDEP-- 1588 00:35:18,400 --> 00:35:20,500 I TOLD YOU, INDEPENDENT IS THIS. 1589 00:35:20,500 --> 00:35:21,400 IF YOU WANT TO GET 1590 00:35:21,400 --> 00:35:22,467 WHAT YOU LOOKING FOR, 1591 00:35:22,467 --> 00:35:24,100 IT IS ALL ABOUT GOING INTO 1592 00:35:24,100 --> 00:35:24,767 A MAJOR. 1593 00:35:24,767 --> 00:35:25,700 YOU [bleep] DON'T WANT 1594 00:35:25,700 --> 00:35:26,467 TO LISTEN. 1595 00:35:26,467 --> 00:35:27,167 LISTEN SOMETIME. 1596 00:35:27,167 --> 00:35:28,633 THAT'S BECAUSE I KNOW 1597 00:35:28,633 --> 00:35:30,100 OUR CAPABILITIES, BUT I DON'T 1598 00:35:30,100 --> 00:35:31,333 KNOW IF WE CAN DO IT 1599 00:35:31,333 --> 00:35:32,533 WITH JUST ME AND YOU. 1600 00:35:32,533 --> 00:35:34,900 OKAY, THAT'S WHAT YOU THINK. 1601 00:35:34,900 --> 00:35:36,600 I FEEL LIKE YOU'RE VIOLATING ME 1602 00:35:36,600 --> 00:35:37,400 DOING SOME SH-- 1603 00:35:37,400 --> 00:35:38,867 LIKE JUST BEING HONEST, 1604 00:35:38,867 --> 00:35:39,733 IT HURTS, 'CAUSE I'M GONNA 1605 00:35:39,733 --> 00:35:40,867 SIT HERE AND HAVE DREAMS 1606 00:35:40,867 --> 00:35:41,533 ABOUT THIS. 1607 00:35:41,533 --> 00:35:42,467 LIKE, "HOW DID YOU EVEN GO 1608 00:35:42,467 --> 00:35:44,633 THIS WAY AND NOT EVEN GIVE ME 1609 00:35:44,633 --> 00:35:45,467 A HEADS UP?" 1610 00:35:45,467 --> 00:35:46,767 IF IT WASN'T FOR ME, WOULD YOU 1611 00:35:46,767 --> 00:35:48,067 BE IN THIS RELATIONSHIP? 1612 00:35:48,067 --> 00:35:48,733 IF I DIDN'T LOVE YOU 1613 00:35:48,733 --> 00:35:49,567 THE WAY I LOVE YOU, 1614 00:35:49,567 --> 00:35:51,567 WOULD YOU BE HERE? 1615 00:35:53,100 --> 00:35:54,333 DO YOU UNDERSTAND WHAT I TRIED 1616 00:35:54,333 --> 00:35:55,733 TO TELL YOU TEN YEARS AGO? 1617 00:35:55,733 --> 00:35:57,100 I UNDERSTAND THAT, 1618 00:35:57,100 --> 00:35:58,667 AND I LOVE YOU AND I THANK YOU 1619 00:35:58,667 --> 00:36:00,267 FOR EVERYTHING. 1620 00:36:00,267 --> 00:36:02,067 I THANK YOU FOR EVERYTHING. 1621 00:36:02,067 --> 00:36:03,400 BUT THAT'S LOYALTY. 1622 00:36:03,400 --> 00:36:04,567 THAT'S WHAT-- 1623 00:36:04,567 --> 00:36:05,333 BUT YOU DON'T DO THAT 1624 00:36:05,333 --> 00:36:06,533 BEHIND MY BACK. 1625 00:36:06,533 --> 00:36:07,767 I'VE GROWN WITH YOU. 1626 00:36:07,767 --> 00:36:08,600 IT DOESN'T MATTER. 1627 00:36:08,600 --> 00:36:09,667 YOU CAN GROW WITH ME, 1628 00:36:09,667 --> 00:36:11,133 BUT YOU COME TO ME ON SOME 100. 1629 00:36:11,133 --> 00:36:13,067 I AM 100 WITH YOU. 1630 00:36:13,067 --> 00:36:14,300 YOU SAT HERE THREE DAYS 1631 00:36:14,300 --> 00:36:14,967 KNOWING THAT. 1632 00:36:14,967 --> 00:36:16,133 YOU PLOT--YOU PLANNED THAT. 1633 00:36:16,133 --> 00:36:17,733 YOU SENT--YOU DID A LOT. 1634 00:36:17,733 --> 00:36:18,800 LIKE, YOU DON'T DO THAT. 1635 00:36:18,800 --> 00:36:20,467 THAT'S LIKE ON SOME LEFT FIELD 1636 00:36:20,467 --> 00:36:21,133 [bleep]. 1637 00:36:21,133 --> 00:36:22,733 BUT YOU ACT LIKE I JUST 1638 00:36:22,733 --> 00:36:23,600 WENT BEHIND YOUR BACK 1639 00:36:23,600 --> 00:36:24,500 AND DID THE ULTIMATE WORST? 1640 00:36:24,500 --> 00:36:26,700 I HAD A MEETING WITH SOMEBODY. 1641 00:36:26,700 --> 00:36:27,933 THAT IS IT: A MEETING. 1642 00:36:27,933 --> 00:36:28,600 I DIDN'T KNOW NOTHING 1643 00:36:28,600 --> 00:36:29,500 ABOUT IT. 1644 00:36:29,500 --> 00:36:30,467 YOU'RE MY ARTIST. 1645 00:36:30,467 --> 00:36:31,533 I'M YOUR MANAGER. 1646 00:36:31,533 --> 00:36:33,367 THAT'S A MANAGEMENT COMPANY. 1647 00:36:33,367 --> 00:36:34,333 YOU DON'T DO THAT WITHOUT 1648 00:36:34,333 --> 00:36:35,067 TELLING ME. 1649 00:36:35,067 --> 00:36:36,133 WRONG. 1650 00:36:36,133 --> 00:36:36,800 YOU WANT US FLIPPING ON 1651 00:36:36,800 --> 00:36:37,533 THE BUSINESS? 1652 00:36:37,533 --> 00:36:38,533 PUT THE PERSONAL TO THE SIDE. 1653 00:36:38,533 --> 00:36:39,533 ON THE BUSINESS, 1654 00:36:39,533 --> 00:36:40,833 I CAN GO AND TALK TO WHO I WANT 1655 00:36:40,833 --> 00:36:41,933 TO TALK TO ABOUT MANAGEMENT. 1656 00:36:41,933 --> 00:36:43,067 SO BASICALLY I'M ABOUT 1657 00:36:43,067 --> 00:36:43,767 TO GET FIRED 1658 00:36:43,767 --> 00:36:45,767 IS WHAT YOU TELLING ME. 1659 00:36:45,767 --> 00:36:47,067 I MEAN, I'M ASKING YOU. 1660 00:36:47,067 --> 00:36:48,333 SO I'M ABOUT TO GET FIRED-- 1661 00:36:48,333 --> 00:36:49,833 THE PERSON WHO PUT THEY LIFE ON 1662 00:36:49,833 --> 00:36:51,500 THE LINE FOR YOU FOR 17 YEARS? 1663 00:36:51,500 --> 00:36:52,167 YOU GONNA TELL ME 1664 00:36:52,167 --> 00:36:53,567 YOU GONNA FIRE ME? 1665 00:36:53,567 --> 00:36:55,100 [sobbing] 1666 00:36:55,100 --> 00:36:56,067 I JUST DON'T WANT-- 1667 00:36:56,067 --> 00:36:58,067 I DON'T WANT TO SAY THAT. 1668 00:37:01,367 --> 00:37:02,833 [sobbing] 1669 00:37:02,833 --> 00:37:04,067 WHEN I'M WITH STEVIE, 1670 00:37:04,067 --> 00:37:05,233 YOU ALWAYS BLOW HIS PHONE UP 1671 00:37:05,233 --> 00:37:05,900 AND CALL HIM. 1672 00:37:05,900 --> 00:37:07,067 YOU ALWAYS BRING MY NAME UP. 1673 00:37:07,067 --> 00:37:07,933 THAT'S MY DAUGHTER'S FATHER. 1674 00:37:07,933 --> 00:37:20,767 I'LL CALL HIM WHENEVER I FEEL. 1675 00:37:20,767 --> 00:37:21,600 JOSELINE SENT ME 1676 00:37:21,600 --> 00:37:23,100 A THREATENING TEXT MESSAGE. 1677 00:37:23,100 --> 00:37:26,067 "YOU OLD GROUPIE SLUT BITCH." 1678 00:37:26,067 --> 00:37:27,933 IF I EVER TELL STEVIE SOMETHING 1679 00:37:27,933 --> 00:37:29,067 ABOUT HER AGAIN, 1680 00:37:29,067 --> 00:37:30,467 SHE'S GONNA MOP MY ASS 1681 00:37:30,467 --> 00:37:31,367 WITH THE FLOOR. 1682 00:37:31,367 --> 00:37:32,500 AND ANYWHERE SHE SEES ME, 1683 00:37:32,500 --> 00:37:34,267 SHE'S GONNA [bleep] ME UP. 1684 00:37:34,267 --> 00:37:35,467 YADA-YADA-YA. 1685 00:37:35,467 --> 00:37:36,500 HI, MIMI. 1686 00:37:36,500 --> 00:37:37,700 JOSELINE. 1687 00:37:37,700 --> 00:37:38,667 I'M GLAD YOU CAME OVER 1688 00:37:38,667 --> 00:37:40,267 TO SPEAK TO ME, 'CAUSE I'M 1689 00:37:40,267 --> 00:37:41,100 A WOMAN ABOUT EVERYTHING 1690 00:37:41,100 --> 00:37:42,067 THAT I DO. 1691 00:37:42,067 --> 00:37:43,167 SO I KNOW I SENT YOU THAT TEXT-- 1692 00:37:43,167 --> 00:37:44,200 CRAZY TEXT MESSAGE. 1693 00:37:44,200 --> 00:37:45,467 I WANT TO APOLOGIZE FOR THAT 1694 00:37:45,467 --> 00:37:46,333 FIRST OF ALL. 1695 00:37:46,333 --> 00:37:47,300 I JUST WANT TO LET YOU KNOW 1696 00:37:47,300 --> 00:37:48,467 THAT I THINK THAT BECAUSE 1697 00:37:48,467 --> 00:37:49,467 IT'S LIKE EVERY TIME 1698 00:37:49,467 --> 00:37:50,300 I WAS AROUND STEVIE, 1699 00:37:50,300 --> 00:37:51,533 I HEAR YOU CALL, 1700 00:37:51,533 --> 00:37:53,200 AND YOU JUST BLOW HIM UP, LIKE-- 1701 00:37:53,200 --> 00:37:54,067 I DON'T BLOW HIM UP. 1702 00:37:54,067 --> 00:37:54,700 I CALL HIM, 1703 00:37:54,700 --> 00:37:55,633 AND HE ANSWERS THE PHONE. 1704 00:37:55,633 --> 00:37:56,800 THAT'S NOT BLOWING HIM UP. 1705 00:37:56,800 --> 00:37:57,767 OKAY, WELL, YOU CAN HAVE THAT 1706 00:37:57,767 --> 00:37:58,500 IF THAT'S YOU THINK YOU DO. 1707 00:37:58,500 --> 00:38:00,533 BUT I SEE YOU CALLING HIM 1708 00:38:00,533 --> 00:38:02,067 AND YOU ALWAYS BRING UP MY NAME 1709 00:38:02,067 --> 00:38:03,567 LIKE, "JOSELINE, JOSELINE. 1710 00:38:03,567 --> 00:38:04,533 IF JOSELINE..." 1711 00:38:04,533 --> 00:38:05,133 NO, I DON'T. 1712 00:38:05,133 --> 00:38:05,933 OKAY, WELL. 1713 00:38:05,933 --> 00:38:06,600 NO, I DON'T. 1714 00:38:06,600 --> 00:38:07,400 YOU CAN SAY WHATEVER 1715 00:38:07,400 --> 00:38:08,333 YOU WANT, BUT I KNOW WHAT-- 1716 00:38:08,333 --> 00:38:09,933 AND SO CAN YOU, AND YOU DO. 1717 00:38:09,933 --> 00:38:11,300 WHEN I'M WITH STEVIE, 1718 00:38:11,300 --> 00:38:12,167 YOU ALWAYS BLOW HIS PHONE UP 1719 00:38:12,167 --> 00:38:12,833 AND CALL HIM. 1720 00:38:12,833 --> 00:38:14,233 YOU ALWAYS BRING MY NAME UP. 1721 00:38:14,233 --> 00:38:15,133 THAT'S MY DAUGHTER'S FATHER. 1722 00:38:15,133 --> 00:38:16,400 I'LL CALL HIM WHENEVER I FEEL. 1723 00:38:16,400 --> 00:38:17,900 AND YOU CAN DO THAT, MIMI. 1724 00:38:17,900 --> 00:38:18,900 YOU CAN--LISTEN, YOU GONNA 1725 00:38:18,900 --> 00:38:20,400 HAVE TO TALK TO HIM FOREVER. 1726 00:38:20,400 --> 00:38:21,067 RIGHT, YOU'RE RIGHT. 1727 00:38:21,067 --> 00:38:21,733 AND YOU GONNA-- 1728 00:38:21,733 --> 00:38:22,567 AND I KNOW THIS. 1729 00:38:22,567 --> 00:38:23,533 DO YOU? 1730 00:38:23,533 --> 00:38:24,200 YES, I KNOW THAT. 1731 00:38:24,200 --> 00:38:25,067 SO THEN WHY DID YOU BE 1732 00:38:25,067 --> 00:38:25,933 SENDING ME THAT THREATENING 1733 00:38:25,933 --> 00:38:27,133 TEXT MESSAGE IF YOU KNOW 1734 00:38:27,133 --> 00:38:28,100 I HAVE TO TALK TO HIM FOREVER? 1735 00:38:28,100 --> 00:38:28,800 AND I'LL TALK TO HIM ABOUT 1736 00:38:28,800 --> 00:38:30,700 WHATEVER I WANT TO. 1737 00:38:30,700 --> 00:38:31,467 I WILL BRING YOUR NAME UP 1738 00:38:31,467 --> 00:38:32,167 BECAUSE YOU'RE AN ISSUE 1739 00:38:32,167 --> 00:38:33,067 FOR [bleep] ME. 1740 00:38:33,067 --> 00:38:33,667 THAT'S WHY. 1741 00:38:33,667 --> 00:38:34,333 HOW AM I SUCH AN ISSUE 1742 00:38:34,333 --> 00:38:35,067 THOUGH? 1743 00:38:35,067 --> 00:38:35,667 YOU GOT PREGNANT 1744 00:38:35,667 --> 00:38:36,800 BY MY BABY FATHER. 1745 00:38:36,800 --> 00:38:38,733 I DON'T KNOW WHAT TO BELIEVE 1746 00:38:38,733 --> 00:38:40,800 WHEN I HAVE THIS MAN WITH ME 1747 00:38:40,800 --> 00:38:42,100 24/7. 1748 00:38:42,100 --> 00:38:43,133 YOU KNOW, HE WAS LIKE, 1749 00:38:43,133 --> 00:38:44,067 "YEAH, SHE'S THERE, 1750 00:38:44,067 --> 00:38:45,900 BUT SHE'S JUST MY BABY'S MOM." 1751 00:38:45,900 --> 00:38:47,367 HE HAS A WAY OF TELLING YOU ONE 1752 00:38:47,367 --> 00:38:48,200 THING, TELLING ME ONE THING-- 1753 00:38:48,200 --> 00:38:48,867 ABSOLUTELY. 1754 00:38:48,867 --> 00:38:49,767 TELLING EVERYBODY ELSE 1755 00:38:49,767 --> 00:38:50,600 ONE THING, AND THEN-- 1756 00:38:50,600 --> 00:38:51,567 AND PLAYING EVERYBODY 1757 00:38:51,567 --> 00:38:52,567 AND THEN EVERYBODY'S LIKE THIS. 1758 00:38:52,567 --> 00:38:53,667 EVERYBODY'S FIGHTING. 1759 00:38:53,667 --> 00:38:55,800 JOSELINE, YOU ARE TELLING ME 1760 00:38:55,800 --> 00:38:56,667 SOMETHING ABOUT SOMEBODY 1761 00:38:56,667 --> 00:38:58,400 I'VE KNOWN FOR 14 YEARS. 1762 00:38:58,400 --> 00:39:00,167 I KNOW. 1763 00:39:00,167 --> 00:39:01,067 THE TEXT MESSAGES-- 1764 00:39:01,067 --> 00:39:02,067 I WAS WRONG FOR DOING THAT. 1765 00:39:02,067 --> 00:39:02,833 AND AFTER THAT TEXT, 1766 00:39:02,833 --> 00:39:03,633 YOU KNOW WHAT I TOLD HIM? 1767 00:39:03,633 --> 00:39:04,367 I SAID, "I SHOULD'VE NEVER 1768 00:39:04,367 --> 00:39:05,367 DID THAT BECAUSE I DON'T KNOW 1769 00:39:05,367 --> 00:39:06,667 WHAT YOU TELLING THAT GIRL 1770 00:39:06,667 --> 00:39:08,133 FOR HER TO EVEN SAY ANYTHING 1771 00:39:08,133 --> 00:39:08,800 THAT SHE'S SAYING," 1772 00:39:08,800 --> 00:39:10,067 AND I SAID THAT TO HIM. 1773 00:39:10,067 --> 00:39:12,333 ME AND MIMI ARE THE VICTIM HERE. 1774 00:39:12,333 --> 00:39:13,400 STEVIE IS JUST THE ONE, 1775 00:39:13,400 --> 00:39:14,267 "[laughs] 1776 00:39:14,267 --> 00:39:15,133 I'M THE MAN." 1777 00:39:15,133 --> 00:39:16,333 IT DON'T WORK LIKE THAT 1778 00:39:16,333 --> 00:39:17,433 BECAUSE HE HURTS HER 1779 00:39:17,433 --> 00:39:19,067 AND HE HURTS ME. 1780 00:39:19,067 --> 00:39:20,233 I'M SORRY ABOUT THE PREGNANCY. 1781 00:39:20,233 --> 00:39:20,900 I KNOW YOU HURT. 1782 00:39:20,900 --> 00:39:22,067 I WOULD'VE BEEN HURT TOO 1783 00:39:22,067 --> 00:39:22,800 'CAUSE I'M STILL A WOMAN. 1784 00:39:22,800 --> 00:39:23,867 I'M SORRY, 1785 00:39:23,867 --> 00:39:24,833 BUT I CAN'T HELP, YOU KNOW, 1786 00:39:24,833 --> 00:39:26,067 NO PERSON LIE TO ME. 1787 00:39:26,067 --> 00:39:27,933 JUST LIKE YOU CAN'T HELP IT. 1788 00:39:27,933 --> 00:39:29,133 CAN'T NOBODY HELP IT, 1789 00:39:29,133 --> 00:39:30,567 AND I APOLOGIZE FOR THAT. 1790 00:39:30,567 --> 00:39:31,633 NOBODY CAN HELP THAT 1791 00:39:31,633 --> 00:39:32,633 MOTHER[bleep] LYING ABOUT 1792 00:39:32,633 --> 00:39:34,333 NOTHING, AND I KNOW YOU HURT 1793 00:39:34,333 --> 00:39:35,533 JUST AS BAD AS I'M HURT. 1794 00:39:35,533 --> 00:39:36,833 BUT I'M JUST GONNA KEEP ON 1795 00:39:36,833 --> 00:39:37,533 WITH MY LIFE 1796 00:39:37,533 --> 00:39:39,133 AND DO WHAT I GOT TO DO. 1797 00:39:39,133 --> 00:39:39,833 IF YOU DON'T WANT TO TAKE 1798 00:39:39,833 --> 00:39:41,300 MY APOLOGY, IT'S OKAY, MIMI. 1799 00:39:41,300 --> 00:39:42,067 YOU DON'T HAVE TO. 1800 00:39:42,067 --> 00:39:42,800 I HEAR YOU. 1801 00:39:42,800 --> 00:39:44,167 I HEAR YOU, JOSELINE. 1802 00:39:44,167 --> 00:39:45,767 TRUST ME, I DO. 1803 00:39:45,767 --> 00:39:48,200 I'M A WOMAN AS WELL. 1804 00:39:48,200 --> 00:39:50,333 SO I--I GET IT. 1805 00:39:50,333 --> 00:39:51,700 I THINK MY ISSUE 1806 00:39:51,700 --> 00:39:53,533 WITH THIS APOLOGY 1807 00:39:53,533 --> 00:39:55,233 IS I DON'T BELIEVE YOU. 1808 00:39:55,233 --> 00:39:56,733 DON'T APOLOGIZE TO ME 1809 00:39:56,733 --> 00:39:58,100 AND THEN, WELL, BECAUSE YOU THIS 1810 00:39:58,100 --> 00:40:00,533 AND THAT--UH-UH. 1811 00:40:00,533 --> 00:40:01,533 IF I'M GONNA SAY I'M SORRY 1812 00:40:01,533 --> 00:40:02,133 TO YOU, I'M GONNA SAY, 1813 00:40:02,133 --> 00:40:02,833 "YOU KNOW WHAT? 1814 00:40:02,833 --> 00:40:04,400 I'M SORRY," PERIOD. 1815 00:40:04,400 --> 00:40:05,267 YOU DON'T HAVE TO BELIEVE ME, 1816 00:40:05,267 --> 00:40:06,000 MIMI. 1817 00:40:06,000 --> 00:40:07,533 I APOLOGIZE FOR EVERYTHING 1818 00:40:07,533 --> 00:40:09,900 THAT HAPPENED TO--BETWEEN US 1819 00:40:09,900 --> 00:40:11,300 'CAUSE HE LET THAT HAPPEN. 1820 00:40:11,300 --> 00:40:11,967 TO HIM, HE CAN DO 1821 00:40:11,967 --> 00:40:14,933 WHAT HE WANT TO DO. 1822 00:40:14,933 --> 00:40:17,600 WE'LL SEE HOW MUCH HE DOES. 1823 00:40:17,600 --> 00:40:19,200 WON'T BE DOING IT FOR ME 1824 00:40:19,200 --> 00:40:20,567 OR OUT OF ME. 1825 00:40:20,567 --> 00:40:22,567 ME EITHER. 1826 00:40:30,800 --> 00:40:31,467 ON THE NEXT 1827 00:40:31,467 --> 00:40:32,700 LOVE AND HIP-HOP: ATLANTA... 1828 00:40:32,700 --> 00:40:33,667 IS THAT WHAT A RAPPER 1829 00:40:33,667 --> 00:40:34,333 IS SUPPOSED TO BE? 1830 00:40:34,333 --> 00:40:36,467 A WOMAN WHO CAN'T HAVE KIDS 1831 00:40:36,467 --> 00:40:37,700 AND CAN'T BE A WIFE? 1832 00:40:37,700 --> 00:40:39,067 I'M GONNA WORK WITH YOU 1833 00:40:39,067 --> 00:40:39,800 OR WITHOUT YOU. 1834 00:40:39,800 --> 00:40:40,567 I'M STILL GONNA GET PAID 1835 00:40:40,567 --> 00:40:42,200 REGARDLESS. 1836 00:40:42,200 --> 00:40:43,033 [billiards clinking] 1837 00:40:43,033 --> 00:40:44,367 WHY IS SHE NOT SIGNING 1838 00:40:44,367 --> 00:40:45,467 THE CHILD SUPPORT PAPERS? 1839 00:40:45,467 --> 00:40:46,200 YOU KNOW WHAT? 1840 00:40:46,200 --> 00:40:46,967 I'MA GET MY LAWYER. 1841 00:40:46,967 --> 00:40:48,100 OOH, MAN. 1842 00:40:48,100 --> 00:40:48,767 BUT WHAT'S GOING ON 1843 00:40:48,767 --> 00:40:49,933 WITH THIS BENZINO GUY 1844 00:40:49,933 --> 00:40:52,733 I'M HEARING ABOUT? 1845 00:40:52,733 --> 00:40:53,433 YOU GOT ME A KEY 1846 00:40:53,433 --> 00:40:54,933 TO THE HOUSE? 1847 00:40:54,933 --> 00:40:55,900 EITHER WE GET INTO IT NOW 1848 00:40:55,900 --> 00:40:56,967 OR WE GET INTO IT IN THERAPY. 1849 00:40:56,967 --> 00:40:57,933 WHEN IS THE THERAPY? 1850 00:40:57,933 --> 00:40:59,000 CAN WE FIGURE THAT OUT 1851 00:40:59,000 --> 00:41:00,500 BECAUSE I'M NOT ABOUT TO BEEF 1852 00:41:00,500 --> 00:41:01,600 WITH YOU ANYMORE. 1853 00:41:01,600 --> 00:41:03,467 WHY DID YOU COME TO THERAPY? 1854 00:41:03,467 --> 00:41:04,367 'CAUSE I REALLY, REALLY 1855 00:41:04,367 --> 00:41:06,367 WANT TO WORK THIS OUT.